현대시에 나타난 금강산 시편 연구

Abstract

The purpose of this paper is to investigate the aspect and meaning of the modern Mt. Geumgang psalms. Through this sentence, I discovered the fact that Mt. Geumgang is a folk holy mountain through the poems of poets who explored Mt. Geumgang from the time of the Japanese Emperor's occupation to the present day in the history of modern literature. In the psalms of the poets examined, it exists as a nostalgic object with the breath of the homeland and the pain of ethnic division where Mt. Geumgang was absent before and after the division. The research on Mt. Geumgang was divided into classical and modern, and was activated from classical literature. It began with the classical poems and poems centered on Mt. Geumgang around the 18th century. In the poetic depiction of a trip to a scenic spot, it appears as a story of at the time of the true scenery along with the view of Mt. Geumgang. In contemporary literature, Mt. Geumgang research is relatively in its infancy compared to classical literature. From a modern point of view, the research on Mt. Geumgang was grasped from the materials related to Mt. Geumgang after the division. In 1998, research was carried out as the development of Mt. Geumgang and the tourism industry, and it began to pay full attention to contemporary literature. The psalms on Mt. Geumgang from the pre-modern implementation process and the present day that we focused on in this paper are intermittently organized around the period of colonial and the divider. Unlike Mt. Baekdu, the lack of research on Mt. Geumgang psalms comes from the absence of texts made from Mt. Geumgang. At the same time, Mt. Geumgang has not been a living area of South Korea since the north-south division. However, although the Mt. Geumgang psalms has been created among the writers who traveled to Mt. Geumgang in the process of historical development, examining the Mt. Geumgang psalms that appeared in the modern and contemporary poetry is to look at the future of history through the dark ages. It is the fact that the poets seen have a paradigm in which the world of Mt. Geumgang poetry changes according to the era they are in through their trip to Mt. Geumgang. To this end, three research methods were used to explore the prominent poetry consciousness through textual psalms and epochality. The first is symbolic permanence and Buddhism, the second is local affinity and mutual text, and the third is Mt. Geumgang travelogue and territoriality.