김춘수 『처용단장』 3부의 인물 연구

Abstract

After finishing the second part, Kim Chun-soo will have a blank period as 「Cheo-yong fragment literautre」 for more than 10 years. It can be inferred that such a blank period was a part of his deep worries about his poetic journey. After that, the third part was rewritten, and Kim Chun-soo switched the format shown in the existing parts 1 and 2, transforming from a ‘descriptive image’ to a somewhat prose style. These changes from poetry to prose suggest that it soon moved from aesthetic experimentation to politics. Part 3 expands on the poet's reasons for various people, experiences, and historical facts, rather than images. The characters in part 3 are portrayed as representations of the poet himself, suppressed from most of history. However, it is not only the narrative of the poet, but also has the characteristic of having the events of each character. As a way to counteract ideology in this way, starting with Part 3, Kim Chun-soo begins to cut across ideologies rather than presenting images that present the lives of these characters. First, their commonality stems from the fact that they are all ‘people without share’ who are incapable of reaching agreements made out of exclusion. These are all beings who cannot be written down in history and are in reality lost. For these, the absence of ideology immediately indicates historical space contains. Therefore, by investigating the various actions of the characters and the subjectification process that accomplishes their share, we will be able to discover new grounds for grasping the ideological structure that is different from the previous works.