이성교 시 연구-<현대문학> 게재 작품을 중심으로

Abstract

Lee Seong-gyo's poetry has a vast boundary ranging from 11 volumes of poetry since he went through his days as a student writer and debuted as Hyundai-Munhak in the mid-1950s. It is a model case of practicing life as a writer throughout his life by continuing his writing activities throughout his life, which ended at the age of 90. Lee Seong-gyo's 「Nam-mae」 which was published in Suheomsaeng during his student literary career, has not been known. This work depicts the family history of the mother's extinction through a fairy tale tone, while objectifying the poetic subject and maintaining an emotional distance. A total of 64 works published by Lee Seong-gyo in Hyundai-Munhak since his debut work until 2004. 14 in the 1950s, 15 in the 1960s, 14 in the 1970s, and 14 in the 1980s, showing an even distribution. In the 1990s, when he reached his old age, there were 5, and in the 2000s, 2. The externally revealed characteristic of the works produced through the medium of Hyundai-Munhak is that nature or life is used as the subject matter. This is a formal characteristic that continues from the trend at the time of debut to the later period. Based on traditionalism, the method of poetically appropriating the unique place, customs, and local history of Gangwon, the hometown, is defined as one of the main characteristics that flow through the entire world of poetry. Lee Seong-gyo's poetry includes various variations as well as the world, and even in such variations, she maintained the main focus of appropriation of the locality of place and established her own poetic horizon. Lee Seong-gyo's poetry could be specialized as a variation of local history that goes beyond abstraction like the spirit of Silla, and should be evaluated as having moved forward to create a unique and individual realm. In addition, many other works are leading the development of the award by varying the unique placeness of the hometown and Gangwon region, local history, folktales and dialects. These works have a common structure that asks for ontological meaning at a small level through the specific embodiment of locality. The 1950s, when Lee Seong-gyo began his full-fledged literary activities, was before the establishment of a literary field in the modern sense in the Yeongdong region of the Gangwon region. Lee Seong-gyo's activities should be recorded in the history of literature in that they have the original meaning of the regional literary circle. Lee Seong-gyo's literary activities through Hyundai-Munhak also functioned as a mechanism to revitalize regional literary circles at the translocal level. Lee Seong-gyo is included in the case of publishing the most works and exerting literary influence. In this respect, it is clear that Lee Seong-gyo's poetry is a problematic object that forms a unique meaning in the history of local literature.