김춘수의『處容斷章』에 구현된 폴록의 드리핑 기법 연구 -「처용단장 제2부」를 중심으로

Abstract

This paper is an attempt to assume Jackson Pollock's dripping technique in a meaningless poem structure of 「Cheoyongdanjang part 2」, and to find out that 「Cheoyongdanjang part 2」 is basically embodied based on the dripping technique of lines, disconnection, and repetition. The painting of abstract expressionist painter Jackson Pollock consists of lines as trajectories entangled in horizontal and vertical directions through dripping techniques. In the process, the image as a concept is deleted and expressed as an abstract line as a horizontal and vertical trajectory. The work is an unconscious process. Works made up of the accumulation of lines form a multifocal structure, with no Illusion, and the artist's intention is deleted. Kim Chun-soo literaryly accepted Pollock's dripping technique, in which these images were negated and there was no illusions, and changed it into a technique of meaningless poetry, and this paper pays attention to two things as a result. The first is that 「Cheoyongdanjang Part 2」 is revealing in the form of chaos and fractals through a dripping of 「Cheoyongga」 and Kim Chun-soo's childhood. In this case, the lines function as characteristics such as intersection and disconnection, irrelevance with adjacent lines, and basic elements of the multifocal structure. Second, Kim Chun-soo embodies the theoretical depth of meaningless poem by incorporating the elements of line and repetition among Pollok's dripping techniques. From this point of view, this paper examines 「Cheoyongdanjang Part 2」 focusing on the elements of line and repetition to extract aspects of chaos and fractals, and discusses that the main shaping principle of 「Cheoyongdanjang Part 2」 is based on Pollok's dripping technique. The results are as follows. First, it was found that 「Cheoyongjang part 2」 was the result of dripping the Hyangga 「Cheoyongga」and the memories of the childhood of Kim Chun-soo with poetic motifs. As a result, it was confirmed that nouns that are cut off through the line of repetition of the verb form a multifocal structure. The disconnection and dismantling of images and the multifocal structure were the basic attributes of chaos, and it was confirmed that Kim Chun-soo used the properties of the line of chaos to the inner structure of meaningless poem. Second, it was confirmed that the principle of meaningless poem was reinforced by borrowing the fractal formative principle such as repetition and self-similarity of Pollock's paintings. In 「Cheoyongdanjang part 2」, it was confirmed that the repetition of words and structures goes beyond rhythm and functions to the disconnection, Through the technique of repetition of self-similarity, it was found that the internal structure of meaningless poem of denial of history was strengthened. As discussed above, it is hoped that the analysis based on Pollock's dripping technique, such as chaos and fractals for 「Cheoyongdanjang part 2」, will be an in-depth exploration of the new fault of Kim Chun-soo's meaningless poem in terms of internal structure.