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나쓰메 소세키(夏目漱石) 문학과 힐링 -작품에 그려진 신경쇠약의 분석을 통해서-

Natsume Soseki’s Literature & Healing : Through the analysis of neurasthenia written to work

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Natsume Soseki insisted the contribution of neurasthenia in creation from the firstbook I Am a Cat through arguing the relationship between poets and inspiration. Then, to the Botchan and trilogy of former part, the writer pursues his researchby the character suffering from neurasthenia as a main issue. Since then, he looksto the inner world of human beings. In the trilogy of latter part, the topic ofneurasthenia is not just shaped into somebodies in the work, but provides afoundation through the full-scale study of man that can objectify themselves. In theGrass on the Wayside and Light and Darkness, not limited in viewpoint andcharacter, the attitude of writing is changed to describe everything objectively andfairly. Soseki as an artist has gone through a neurasthenia. And he allowed to maturehimself unconsciously by his experiences. Thus, by the works reflecting pathologicdepressive mood inside himself, it seems that he has been able to have the peaceof mind.

Abstract

Natsume Soseki insisted the contribution of neurasthenia in creation from the firstbook I Am a Cat through arguing the relationship between poets and inspiration. Then, to the Botchan and trilogy of former part, the writer pursues his researchby the character suffering from neurasthenia as a main issue. Since then, he looksto the inner world of human beings. In the trilogy of latter part, the topic ofneurasthenia is not just shaped into somebodies in the work, but provides afoundation through the full-scale study of man that can objectify themselves. In theGrass on the Wayside and Light and Darkness, not limited in viewpoint andcharacter, the attitude of writing is changed to describe everything objectively andfairly. Soseki as an artist has gone through a neurasthenia. And he allowed to maturehimself unconsciously by his experiences. Thus, by the works reflecting pathologicdepressive mood inside himself, it seems that he has been able to have the peaceof mind.

참고문헌 (12)

  1. 唐木順三, "夏目漱石", pp.23~ (1956), 創文社
  2. 吉田六郞, "漱石文學の心理的硏究", pp.46~ (1973), 勁草書房
  3. 後藤文夫, "漱石⋅子規の病を読む", pp.110~112 (2007), 上毛新聞社出版局
  4. 小宮豊隆, "漱石の藝術", pp.35~ (1943), 岩波出版
  5. 三好行雄, "森鴎外⋅夏目漱石", pp.97~ (1993), 筑波書房
  6. 坪内稔典, "俳人漱石, In 俳人から小説家へ", pp.1~7 (2003), 岩波書店
  7. 松尾直昭, "夏目漱石「自意識」の罠", pp.27~33 (2008), 和泉書院
  8. 斎藤環, "文學の精神分析", pp.112~ (2009), 河出書房新社
  9. 本田有明, "ヘタな人生論より夏目漱石", pp.16~37 (2012), 河出書房新社
  10. "日本百科大事典7", pp.477~ (1963), 小學館
  11. 三好行雄, "夏目漱石事典", pp.34~ (1990), 學燈社
  12. "정신분석입문", pp.318~319 (2000), 홍신문화사

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