『계림정화 춘향전(鶏林情話 春香伝)』의 번역 양상
Translation aspect of “kelim love story Chunhyangjeon”
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“Chunhyangjeon” is one of the best Korean classics, and it was translated into Japanese in 1882 by Tosui Nakarai. The title of this translation was “kelim love story Chunhyangjeon”, but this translation had a big influence on the reception of the Chunhyangjeon in Japan. I analyze a translation aspect of this “kelim love story Chunhyangjeon” in this report. In this report, I analyzed the person image of an important character. The chief character of the man and woman is drawn on the character unlike the original. Idoryoeng which was a man chief character was the man whom a build had a big with the original. However, it is described in character with sexless charm like a noble appearing in the Japanese literature work in “kelim love story Chunhyangjeon”. In addition, Chunhyang which is a heroine was a modest character with the original, but is pictured in the woman who is active in a man “kelim love story Chunhyangjeon” . Tosui Nakarai changed A and B to the character that a Japanese literature work showed well. It thereby allowed a Japanese to understand “Chunhyangjeon” .
Abstract
“Chunhyangjeon” is one of the best Korean classics, and it was translated into Japanese in 1882 by Tosui Nakarai. The title of this translation was “kelim love story Chunhyangjeon”, but this translation had a big influence on the reception of the Chunhyangjeon in Japan. I analyze a translation aspect of this “kelim love story Chunhyangjeon” in this report. In this report, I analyzed the person image of an important character. The chief character of the man and woman is drawn on the character unlike the original. Idoryoeng which was a man chief character was the man whom a build had a big with the original. However, it is described in character with sexless charm like a noble appearing in the Japanese literature work in “kelim love story Chunhyangjeon”. In addition, Chunhyang which is a heroine was a modest character with the original, but is pictured in the woman who is active in a man “kelim love story Chunhyangjeon” . Tosui Nakarai changed A and B to the character that a Japanese literature work showed well. It thereby allowed a Japanese to understand “Chunhyangjeon” .
참고문헌 (9)
- 송성욱, "춘향전" (2012), 민음사
- 이응수, "일본에서의 「春香伝」수용 연구", 일본언어문화, (19), pp.551~572 (2011), 한국일본언어문화학회
- 이응수, "일본에서의 춘향전 수용의 전개양상-제1기(1882〜1924)-를 중심으로", pp.651~672 (2012), 한국일본언어문화학회
- 半井桃水小説記者の時代7ヒーローは朝鮮を目指す, 朝日総研リポート, "草薙聡志", 朝日新聞社, 141~ (2005)
- 昭和女子大学近代文学研究室, "半井桃水", pp.334~349 (1966)
- 上垣外憲一, "ある明治人の朝鮮観 半井桃水と日本朝関係", pp.13~238 (1996), 筑摩書房
- 西岡健治, "日本에서의 『春香伝』翻訳初期様相ー桃水野史訳『鶏林情話春香伝』을 対象으로", 어문총론, 41, pp.217~254 (2004)
- 西岡健治, "鶏林情話 春香伝", 17, pp.305~357 (2004), 韓国古小説学会
- 西岡健治, "西岡健治「日本における『春香伝』翻訳の初期様相─桃水野史訳『林情話春香伝』を対象にして─」", 福岡県立大学人間社会学部紀要, 13(2), pp.15~33 (2005), 福岡県立大学人間社会学部
