中島敦『プウルの傍で』における 朝鮮人遊廓の表象と<越境>への欲望
The representation of the Korean licensed quarter and the desire to cross‐border in Atsushi Nakajima’s Puuru No Sobade(besides the pool)
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In this paper, I examined the representation of the Korean licensed quarter(朝鮮人遊廓) described in Atsushi Nakajima(中島敦)’s Puuru No Sobade(「プウルの傍で」,besides the pool). Puuru No Sobade describes, through the eye of a junior‐high‐school boy, Sanzo(三造), the reality of the Korean licensed quarter that could be only known by someone who had experienced a colony. In this sense, Puuru No Sobade could be read as a work that revealed the prostitution issues in colonies. However, Sanzo’s experience was described in a style of recalling narrative as one‐time ‘sexual adventure’ of a boy, in other words, an attempted whoredom, and we cannot regard it getting to the heart of the discriminations in a colony or exploitations of women’s sexuality by prostitutions.
Abstract
In this paper, I examined the representation of the Korean licensed quarter(朝鮮人遊廓) described in Atsushi Nakajima(中島敦)’s Puuru No Sobade(「プウルの傍で」,besides the pool). Puuru No Sobade describes, through the eye of a junior‐high‐school boy, Sanzo(三造), the reality of the Korean licensed quarter that could be only known by someone who had experienced a colony. In this sense, Puuru No Sobade could be read as a work that revealed the prostitution issues in colonies. However, Sanzo’s experience was described in a style of recalling narrative as one‐time ‘sexual adventure’ of a boy, in other words, an attempted whoredom, and we cannot regard it getting to the heart of the discriminations in a colony or exploitations of women’s sexuality by prostitutions.
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