交差する韓半島の日本語詩人たち －『朝鮮詩華集』(1928/29)と『朝鮮詩人選集』(1933)を中心として－
Crossing of Japanese Poets in the Korean Peninsula -Focusing on the two Chosen Poetry Collections(1928/29) and Anthology of Chosen Poets(1933)-
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper focuses on the activities of the Japanese-language poetry community in Korea from the late 1920s to the 1930s. It specifically analyses the two volumes of Chosen Poetry Collection published by Nakamura Gyoharin in 1928 and 1929 following Uchino Kenji’s deportation to Japan, and the Anthology of Chosen Poets published by the Chosen Poet Association in 1933. Through these analyses, the paper meticulously traces the shift in leadership within the Chosen poetry community from Uchino Kenji to the poet Sato Kiyoshi, a professor at Keijō Imperial University, and subsequently to Sugimoto Takeo and his fellow poets. Sugimoto and his colleagues played a pivotal role in the Japanese-language poetry scene in Korea up until the late Japanese colonial period in the 1940s. The discovery of Anthology of Chosen Poets as a new source revealed that dozens of poetry-focused magazines were published in Korea around the 1930s, shedding light on the era. The paper aims to further investigate the representation of poetry and the essence of the pursuit of a uniquely Korean poetic identity in future studies.
Abstract
This paper focuses on the activities of the Japanese-language poetry community in Korea from the late 1920s to the 1930s. It specifically analyses the two volumes of Chosen Poetry Collection published by Nakamura Gyoharin in 1928 and 1929 following Uchino Kenji’s deportation to Japan, and the Anthology of Chosen Poets published by the Chosen Poet Association in 1933. Through these analyses, the paper meticulously traces the shift in leadership within the Chosen poetry community from Uchino Kenji to the poet Sato Kiyoshi, a professor at Keijō Imperial University, and subsequently to Sugimoto Takeo and his fellow poets. Sugimoto and his colleagues played a pivotal role in the Japanese-language poetry scene in Korea up until the late Japanese colonial period in the 1940s. The discovery of Anthology of Chosen Poets as a new source revealed that dozens of poetry-focused magazines were published in Korea around the 1930s, shedding light on the era. The paper aims to further investigate the representation of poetry and the essence of the pursuit of a uniquely Korean poetic identity in future studies.
참고문헌 (21)
- 中村漁波林, "朝鮮詩華集 第一輯", pp.1~77 (1928), 大地舎
- 中村漁波林, "朝鮮詩華集 第二輯", pp.1~76 (1929), 大地舎
- 朝鮮詩人協会, "朝鮮詩人選集", pp.1~69 (1933), 朝鮮詩人協会
- 阿部誠文, "朝鮮俳壇—人と作品 上", pp.3~559 (2002), 花書院
- 阿部誠文, "朝鮮俳壇—人と作品 下", pp.3~496 (2002), 花書院
- 嚴仁卿, "1920年代中後期の韓半島日本語詩壇研究—詩誌『亜細亜詩脈』(1926.10~1927.11)を中心として—", 日本言語文化, 62, pp.185~208 (2023), 韓国日本言語文化学会
- 坪井秀人, "二十世紀日本語詩を思い出す", pp.269~312 (2020), 思潮社
- 中根隆行, "朝鮮詠の俳域", 日本硏究, 16, pp.16~43 (2011), 고려대학교 일본연구센터
- "日本近代文学大事典"[URL]
- 과경 일본어문학·문화연구회, "재조일본인 일본어문학사 서설", pp.1~495 (2017), 역락
- 김계자, "재조일본인과 식민지 조선의 문화2", pp.1~347 (2015), 역락
- 사희영, "잡지 『國民文學』의 詩 世界", pp.1~576 (2014), 제이앤씨
- 엄인경, "문학잡지 『國民詩歌』와 한반도의 일본어 시가문학", pp.1~219 (2015), 역락
- 엄인경, "조선 예술 잡지 『아침(朝)』(1926년) 연구―아사카와 노리타카(浅川伯教)와 백자를 중심으로", 비교일본학, 39, pp.253~273 (2017), 한양대학교 일본학국제비교연구소
- 엄인경, "한반도의 일본어 시가문학", pp.1~317 (2018), 고려대학교 출판문화원
- 엄인경, "봄에는 와카를 가을에는 하이쿠를 기억하다", pp.186~193 (2021), 글로세움
- 엄인경, "1920년대 한반도의 일본어 시단(詩壇) 성립과 우치노 겐지(内野健児)―시가 잡지 『경인(耕人)』(1922-1925)의 창간 초기를 중심으로―", 일본연구, 37, pp.123~164 (2022), 고려대학교글로벌일본연구원
- 엄인경, "재조일본인과 식민지 조선의 문화1", pp.1~400 (2014), 역락
- 조선영, "일본어 잡지 『경인(耕人)』 연구: 1920년대 근대시 고찰을 위하여", 인문과학연구논총, 41(3), pp.101~129 (2020), 명지대학교 인문과학연구소
- 최현식, "일제 말 시 잡지 『國民詩歌』의 위상과 가치(1)―잡지의 체제와 성격, 그리고 출판 이데올로그들", 사이間SAI, (14), pp.517~566 (2013), 국제한국문학문화학회
- 최현식, "일제 말 시 잡지 『國民詩歌』의 위상과 가치(2)―국민시론·민족·미의 도상학", 한국시학연구, (40), pp.227~274 (2014), 한국시학회