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犬の嫁入物と鼠の嫁入物黄表紙の趣向作り少考

On how the kibyoshi of the dog marriage and mouse marriagestories create ideas

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The following four works are examined to see how the Kusazoshi of the unusual dog marriage and the Kusazoshi of the popular rat marriage stories generate ideas. They are ②“Sensyuraku Nezumino Yomeiri”, ③“Chinno Yomeiri”, ⑧“Kotobuki Nezumino Yomeiri” and ⑬“Iroage Nezumino Yomeiri”. For a Gesaku to be enjoyed for a long time, it must be written by idea that keeps up with the times. However, in ③, 1.the obstruction of the marriage procession, 2. the mother-in-law who loves her daughter-in-law, and 3.the movement from the human world to the other world were unique for a “marriage story”. For example, in the case of a marriage talk, an arranged marriage, or a marriage preparation scene, the picture depicts the marriage customs, but the text is written in a way that has nothing to do with the marriage customs. In other words, a unique topic set up to move the world from the human world to the other world develops with illustrations depicting marriage customs. Kiyonaga, who painted ③ of the above Tsusho’s works, also painted ②. Therefore, I considered the interrelationship between ② and ⑧, which is also a mouse marriage story.As a result, I presumed the process by which ⑧ was published under the title of ⑬ as the name of Ikku. The reason why the old work was able to be marketed as a new work in this way is probably because, unlike ③, which exhibits a unique idea, the content was easily accepted by general readers as a universal mouse marriage stories.

Abstract

The following four works are examined to see how the Kusazoshi of the unusual dog marriage and the Kusazoshi of the popular rat marriage stories generate ideas. They are ②“Sensyuraku Nezumino Yomeiri”, ③“Chinno Yomeiri”, ⑧“Kotobuki Nezumino Yomeiri” and ⑬“Iroage Nezumino Yomeiri”. For a Gesaku to be enjoyed for a long time, it must be written by idea that keeps up with the times. However, in ③, 1.the obstruction of the marriage procession, 2. the mother-in-law who loves her daughter-in-law, and 3.the movement from the human world to the other world were unique for a “marriage story”. For example, in the case of a marriage talk, an arranged marriage, or a marriage preparation scene, the picture depicts the marriage customs, but the text is written in a way that has nothing to do with the marriage customs. In other words, a unique topic set up to move the world from the human world to the other world develops with illustrations depicting marriage customs. Kiyonaga, who painted ③ of the above Tsusho’s works, also painted ②. Therefore, I considered the interrelationship between ② and ⑧, which is also a mouse marriage story.As a result, I presumed the process by which ⑧ was published under the title of ⑬ as the name of Ikku. The reason why the old work was able to be marketed as a new work in this way is probably because, unlike ③, which exhibits a unique idea, the content was easily accepted by general readers as a universal mouse marriage stories.

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