백석시의 유토피아 의식 연구

Abstract

In this study I suggest that Baek Suk's poetry seeks the utopia, which I divide into the utopia of hospitality and that of Soyoyu (enjoyment of excursion). I subdivided the utopia of hospitality into the 'hospitality and home' and the 'festive hospitality'. In the part of 'hospitality and home' I point out that hospitality is offered around home; in the part of 'festive hospitality' The utopia of hospitality meets with 'Messianic openness' and his Messianic representation is implied in his poem "Huh Jun". In "Me, Natasha, and the White Donkey", though the aporia of unconditional hospitality in which the visitor can take the place of the host is inherently present, the feast of hospitality, that is the festive hospitality. Taking into consideration that the essence of Zhuangzi's idea of Soyoyu is utopia, I divided 'Soyoyu utopia' into the 'archetype of utopian' and the 'incomplete Soyoyu'. In the 'archetype of utopian' I study Huh Jun and Do Yun-Myung and examine utopian characters and their features found in Baek Suk's poetry. In the part of 'incomplete utopia' The narrator who lives in a shabby rented room without a wife and looks back on his life experiences a crisis of identity. Sorrow was the common feelings that the poets, subject to colonial rule and deprived of their sovereignty, shared. Baek Suk was another scapegoat of the Japanese colonialism and for this reason his poetry remains an incomplete utopia.