力拔山兮 --从《水浒传》谈到古代文学审美的“山”之意象
Aesthetics from which the Heros of the Marshes is Regarded as a Case
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古典名著《水浒传》，构拟了一个男人的世界（“一百单八将”中只有三位女性）。这些粗犷豪迈的男人们，谱写了一曲惊心动魄的历史乐章。贯穿其中的“血性”和“德性”，正是生命本质的力量。他们如同一座座不伏的山峰，联袂登场，组成群山逶迤的壮丽画卷，显示大地的存在。其文学特征应证并刷新了古典文学审美的山之意象。
Abstract
The great classic Chinese ancient novel, The Heroes Of The Marshes(The Water Margin), was constructed to be a man’s world (of “one hundred and eight” there would be only three females). These rough and rugged but bold men had composed a sharp song of soul-stirring history of movement, through which the “bloody” and “virtue” of man being sounded, expressed the essence of life force. They were like mountains side by side seated that did not bend down but shaped the meandering picture by composed the magnificence of mountains, showing the existence of the earth world. Their literary characteristics should testify and refresh the classical literature meanings of the aesthetic imago of mountain.
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