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美溶于水--从≪红楼梦≫谈到古代文学审美的“水”之意象

The Water Image in which the Beauty Dissolved: A Discussion of the Water Image in Ancient Chinese Literature Aesthetics From which the Great Mention is regarded as a Case

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초록

一部红楼,讲的是“水作的女儿”和认同水作的女儿的男儿的故事,也是一部讲述生命如水般“质本洁来”的开场,而最终如水般“白茫茫大地真干净”的下场的今史。“水”作为核心,是古代文学审美的意象,可以承载作品的主旨和内涵。

Abstract

The great Chinese ancient novel, The Great Mansion, is a story of the daughters who were regarded as water and of the boy who was the guy regarded them as water. It is also a story implicated the pure beginning alike water of life and the clean ending alike snow of it. As a central concept in Chinese ancient literature, Water becomes an imago which represents the features of beauty and meanings of life.

참고문헌 (10)

  1. 靳怀堾, "中华文化与水" (2005), 长江出版社
  2. 潘重规, "校定本红楼梦" (1983), 中国文化大学中国文学研究所
  3. "1999", (1)
  4. 维柯, (1989), 商务印书馆
  5. 李泽厚, (1999), 安徽文艺出版社
  6. 敏泽, (1987), 齐鲁书社
  7. "2000", (12)
  8. 程习勤, (2002), 武汉出版社
  9. 袁济喜, (1999), 北京大学出版社
  10. "2003", (1)

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