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金圣叹≪水浒传≫批评中的龙虎意象

The image of the dragon and the tiger in Jin Shengtan’s criticism of Water Margin

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Jin Shengtan(金圣叹) criticized the novel Water Margin(水浒传) from many aspects by using the image of the dragon and the tiger. By using the image of the dragon’s transformation and change in the clouds, he criticized the plot content’s change and transformation, as well as the number of their plot’s dense. By using the image of the dragons’ swimming in the water, he criticized the plot’s convergence problem. By using the image of the dragon’s deeply diving in the water, he criticized foreshadowing problem on the plot’s design. By using the image of Shuanglongxizhu(双龙戏珠) he the criticized the problems on the plot’s arrangement and organization. Additionly,he also used the image of the dragon and tiger to comment the characters in the novel, and also used the image of the dragon and the tiger to criticize the narrative perspective. Besids all above, the image of the dragon and the tiger is also used to express his reading experience of the text. The search and application of the image of the dragon and the tiger is very suitable for criticing the design of the novel’s plot. Jin Shengtan’s using the image of the dragon and the tiger to criticize the novel Water Margin(水浒传) is not accidental. In my opinion, there are two reasons. Firstly, it is the result of the influence of the tradition of using the image of the dragon and tiger to criticize Chinese ancient poetry. Secondly, it is closely related to the characteristics of the novel Water Margin(水浒传),which is considered as an agglomeration works about the cluture of the dragon and the tiger.

Abstract

Jin Shengtan(金圣叹) criticized the novel Water Margin(水浒传) from many aspects by using the image of the dragon and the tiger. By using the image of the dragon’s transformation and change in the clouds, he criticized the plot content’s change and transformation, as well as the number of their plot’s dense. By using the image of the dragons’ swimming in the water, he criticized the plot’s convergence problem. By using the image of the dragon’s deeply diving in the water, he criticized foreshadowing problem on the plot’s design. By using the image of Shuanglongxizhu(双龙戏珠) he the criticized the problems on the plot’s arrangement and organization. Additionly,he also used the image of the dragon and tiger to comment the characters in the novel, and also used the image of the dragon and the tiger to criticize the narrative perspective. Besids all above, the image of the dragon and the tiger is also used to express his reading experience of the text. The search and application of the image of the dragon and the tiger is very suitable for criticing the design of the novel’s plot. Jin Shengtan’s using the image of the dragon and the tiger to criticize the novel Water Margin(水浒传) is not accidental. In my opinion, there are two reasons. Firstly, it is the result of the influence of the tradition of using the image of the dragon and tiger to criticize Chinese ancient poetry. Secondly, it is closely related to the characteristics of the novel Water Margin(水浒传),which is considered as an agglomeration works about the cluture of the dragon and the tiger.

참고문헌 (9)

  1. 文学评论 编辑部, "文学评论从刊 第五辑" (1980), 中国社会科学出版社
  2. 郭绍虞, "中国文学批评史 第二册" (1984), 上海古籍出版社
  3. 金圣叹, "贯华堂第五才子书水浒传" (1985), 江苏古籍出版社
  4. 刘勰, "文心雕龙校证" (1980), 上海古籍出版社
  5. 倪梁敏, "论金圣叹的意象批评", 硕士, pp.2008
  6. 施耐庵, "水浒传" (2004), 上海古籍出版社
  7. 谭帆, "金圣叹与中国戏曲批评" (1992), 华东师范大学出版社
  8. 叶嘉莹, "迦陵论诗从稿" (1984), 中华书局
  9. 张伯伟, "中国古代文学批评方法研究" (2002), 中华书局

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