「연강첩장도(烟江疊嶂圖)」에 덧붙여진 왕선과 소식의 제화시 연구

Abstract

During the Song Dynasty, the Wang An-Seok’s New Law brought about political instability, and many literary men went through the literary dark period, which was disciplined for opposing the new law. However, in spite of this persecution, the Song dynasty has become the prime time of literary and landscape painting development unique to the history of China. This unique art world of china, as named with Painting & Letter Poetry, incorporates the artistic aestheticism of poetry and painting into one single work with its implicitly conceals the ideas and philosophy of the literary creator in the frame of his work. These works of art are melted in poetry and paintings, with metaphorical implications that are different from those of Western artistic works. Especially, the metaphorical implication of landscape painting and literary painting is the product of the era of sharing the metaphorical meanings hidden in the works, as the monks refrained from using words and phrases to avoid persecution like letter jade (文字獄). Paintings and Poetry, which are different field of art world on the different spaces, became the Painting & Letter Poetry of China's unique art world and different spaces are expanding their artistic value in a single space. I hope that it will be a chance to re-think about the value and the meaning of literary history of the Painting & Letter Poetry through the study of Su Shi and Wang Shen’s poetry that have been added to the landscape painting of Yan Jiang Die zhang Map (烟江疊嶂圖), which is the representative in the Song Dynasty of China.