李煜詞의 時空間 轉移에 따른 風格變化

Abstract

The Poetry of LiYu was influenced by traditional Haajian style, and reflected an inherent grace. Yet, Since LiYu became king and saw his kingdom begin to fall, and lost his wife and child, his poetic style displayed the sentiments of his personal life. When South Tang collapsed and became Song's captive, he was forced into exile and was sent to Bianjing, which brought his artistic conception to a profound level. Examining these stylistic features from a temporal and spacial perspective, when LiYu was at peace his works focused on themes close to his life, especially within the boundary of the palace. In other words, his real life and the objects described in his poems were interrelated. However, after he gained the throne and departed with his loved ones, his works illustrated the discrepancy between this life and afterlife. His loss and despair demonstrated in the temporal gap gave his poetry a sense of melancholy and developed the overall style into maturity. When South Tang was on the road to collapse and LiYu became captive, the poems written in the capital of Song Dynasty created a further gap not only in terms of time but also space. As the discrepancy grew wider, the substance and style of his poetry reflected lyricism and artistic conception. This paper examines the development of LiYu's poetic style from the perspective of temporal and spacial gap.