국가무형문화재와 지역사회의 협력을 통한 기대효과 －국가무형문화재 제 58호 줄타기 중심으로－

Abstract

This study was initiated to clarify the synergistic effect that arises from mutual cooperation between folk culture and local organizations and securing locality that must be guaranteed in the process of passing on folk culture including national intangible cultural properties. Folk culture in the field of arts and entertainment can be largely classified into two categories. One is the performed in specific regions and specific groups, such as Andong Hahoe Mask Dance, and the other is the performed through a group of nomadic artists who performed all over the country with their bases in specific regions such as tightrope walking and Namsadangpae. In the former case, the transmission and research on locality tend to be actively conducted in the process of transmission, but in the latter case, the transmission and research on the external part like skills of the arts is the mainstream rather than the locality. However, an in-depth discussion of the locality that is the basis of the folk culture and the study of the relationship between the cooperation and symbiosis between folk culture and local organizations are essential parts of the study of folk culture. Because of the cultural creativity of the intangible cultural properties designated by the state and local governments themselves and the cultural competitiveness of the cultural properties holding regions, it should be seen that cooperation with folk culture and local organizations is entering a new era. Therefore, this study aims to study the meaning of locality in folk culture through tightrope walking and a case study of cooperation with local organizations located in Gwacheon. In addition, through a study on the synergistic effects obtained through cooperation between folk culture and local organizations, it suggests the direction in which folk culture and the region must coexist in the future.