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诗之“体”与诗之“用” :船山诗学的两个向度及其中介

The “body” and “value” of poetry: the two dimensions and intermediary in Chuan-shan poetics

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초록

船山诗学的第一个向度是与他的哲学倾向相一致的儒家正统的诗之“用”, 即“王化”、“风化”、“诗教”、“德教”等, 这一点与“孔子诗论”的主旨完全一致。 船山诗学的第二个向度是与他的审美意趣相谐和的诗之“(本)体”, 即对诗之意象性生成特征的领悟。 ≪诗广传≫ “论昊天有成命”对“≪诗≫者, 幽明之际者也”的阐释, 掘发了诗之“(本)体”的几重维度。 由此来看船山诗学的问题也就愈加昭彰:愈点明诗之用的对象性教化归旨, 偏离于诗之用的非对象性的诗之体愈彰显;反之, 愈点明意象性的非对象化世界的审美特性, 对应于诗之用的对象性教化旨归就愈难以实现。 但作为“心生于余力”意义上的“心之广”的视域是一个超越了政治、道德、伦理等意义的“≪诗≫之用”的边界模糊的中介视域, 它具有了通向诗之“(本)体”的审美视域的意义。

Abstract

The first dimension in Chuan-shan poetics is “value” of poetry in orthodox Confucian poetics which is consistent with his philosophy tendency, which includes “emperor manners”, “morals and manners”, “poetic education”, “ethical education” etc, this is identical in point with Confucian poetics. The second dimension in Chuan-shan poetics is “body” of poetry which is related to his aesthetic interest, which is the comprehension of the imagery formation characteristics in poetry. It gives the interpretation that poetry, what lives in the nether or bright occasion(You-ming) in “study of Heaven's mandate” of the book “Shi Guang Zhuan”, which explored some dimensions in the “body” of poetry. So its conspicuous that Chuan-shan poetics has its own problems: that while it lay too much stress on objective poetic education, it will easy to make departure of “value” and tend toward “body” in poetry; in contrast, while it make clear the imagery aesthetic features in non-objective world, it will be hard to reach the “value” of objective poetic education. But when it goes to “Xin Zhi Guang” at the meaning of “Xin Sheng Yu Yu Li”, the perspective view will surpass the bounds of politics, morals, ethics, turned to be a indecisive boundaries intermediary perspective view in the “value” of poetry which has significant value to reach the “body” of poetry in the perspective of aesthetics.

참고문헌 (11)

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