시대에 대응하는 전략적 방식으로써 - 고정희 초혼제(1983) 장시를 중심으로 - 되받아 쓰기(writing back) 고찰 - 고정희 초혼제(1983) 장시를 중심으로 -

Abstract

Gojeonghui the 1970-80's practical behavior of the literature showed a type. Women in History, Awards and distorted Gojeonghui demolishes the real issue was directly involved. And through writing poetry when the spirit of struggle and experimentation to practice a type of literature showed behavior. Write these in a strategic way to respond to the served as a tool to represent the self. 1980 Gojeonghui real problems discourses freely writing could not find an outlet for oppression and forced to remain silent when you tried to write back, no hitters. These poetic back, writing as a strategy (writing back)『초혼제(Chohonje)』is the author to write poetry as in his book proposal format, writing poetry by the perception of death, as the traditional genres of writing poetry as borrowers were able to subdivide. When an offer in writing, by the type of people on behalf of women and revengeful spirit the real deal on the type of borrower commitment and overcoming the desire for reconciliation have been exposed. In ceremonies at the death of death write another life in the world the new life of reconciliation would-oriented. Meanwhile, by borrowing the traditional genres of writing poetry in modern poetry by borrowing our own rhythm, and it complements the image and voice of the people to overcome the time has put in the work. This is good for the yard can take advantage of a wide spectrum of contemporary figures of the people 'yard' was shown by the massive appearance. Good fun and satire in the yard at the end, a sense of community, the people's problems could be overcome by song you want. As we saw earlier, the proposed format and death Gojeonghui consciousness and traditional poetic genre as a strategy of borrowing was in the days to respond. long poetry proposal form and the yard is shown through good literature in the city's cherished values. To date, discussion and evaluation of Gojeonghui was insufficient. Especially the third 『초혼제(Chohonje)』(1983) found almost no discussion. This paper heartbroken and grief of the people borrowing the type of traditional genres of the era of pain and its own ideological discourse in the form of fake singing『초혼제(Chohonje)』 has focused on the house. And Gojeonghui aspects of the poetic spirit of struggle and experimentation were followed. Gojeonghui lyrical poetry and folk and the women can meet the reconciliation ropge served as a pole. At the practical aspects of his writing as representatives of the people through out the picture revealed.