히니 시에 나타난 켈트 정체성과 타자성
Celtic Identity and Other-ness in Seamus Heaney's Poetry
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I assume that a growing interest among readers reflects the prevailing enthusiasm for his work. Heany's writing method and idea owe more to decolonial attitude more than that of the established poets in Ireland. His poetry has the proper qualities to absorb the devotees of ‘decolonialism’ which is still dominant in dealing with the poetry. The poet Heaney explored the traditional literature in Ireland,characterized by the effects of the experience of colonization and a sense of intellectual and spiritual deprivation. By way of this historical experience of authentic decolonization of his mother land,Heaney's aesthetics became more and more, politicized against the crisis which the repressive force of imperialism caused to occur. Under this traumatic disasters of Ireland, Heaney's poetic quest makes him practice struggle against the colonial power in a poetic way. To do this, My major interest is in his realistic celticism and appropriated language employed in his poetry. And I attempt to search for the true Irishness that Heaney makes every effort to materialize the reality of Ireland in his poetry.
Abstract
I assume that a growing interest among readers reflects the prevailing enthusiasm for his work. Heany's writing method and idea owe more to decolonial attitude more than that of the established poets in Ireland. His poetry has the proper qualities to absorb the devotees of ‘decolonialism’ which is still dominant in dealing with the poetry. The poet Heaney explored the traditional literature in Ireland,characterized by the effects of the experience of colonization and a sense of intellectual and spiritual deprivation. By way of this historical experience of authentic decolonization of his mother land,Heaney's aesthetics became more and more, politicized against the crisis which the repressive force of imperialism caused to occur. Under this traumatic disasters of Ireland, Heaney's poetic quest makes him practice struggle against the colonial power in a poetic way. To do this, My major interest is in his realistic celticism and appropriated language employed in his poetry. And I attempt to search for the true Irishness that Heaney makes every effort to materialize the reality of Ireland in his poetry.
참고문헌 (17)
- Ashcroft, Bill, "The Empire of Writes Back: Theory and Practice In Post-Colonial Literature" (1989), Routledge
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- Heaney, Seamus, "Preoccupation: Selected Pose 1968-1978" (1980), Faber and Faber
- Heaney, Seamus, "Selected Poem 1966-1987" (1991), Faber and Faber
- Heaney, Seamus, "The Government of The Tongue" (1989), Farrar, and Straus and Giroux
- King, R., "Nine Contemporary Poets: A Critical Introduction" (1989), Methuen
- Lloyd, David, "Anomalous States: Irish Writing and the Post-Colonial Moment" (1993), Lilliput Press
- Nandy, Ashis, "The Intimate Enemy: Loss and Recovery of Self Under Colonialism" (1998), Syracuse University
- Parker, Michael, "Seamus Heaney: The Making of Poetry" (1983), Macmillan Press
- Said, Edward, "Culture and Imperialism" (1993), Chatto & Windus
- Parker, Michael, "Orientalism" (1978), Vintage
- Tamplin, Ronald, "Open Guide to Literature: Seamus Heaney" (1989), Open Univesity Press
- Tiffin, Helen, "Describing Empire: Postcolonialism and Textuality" (2000), Routeledge
- Yeats, W. Butler, "Fairy and Folk Tale. Revised" (2003), Modern Library
