본문 바로가기
KERD
논문KCI 등재

셰이머스 히니의 포용과 화합의 시학

Seamus Heaney’s Poetics of Embracement and Harmony

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류영어와문학

초록

This paper aims to explore how Seamus Heaney seeks harmony in his divided country through his language-related poems. It is almost inevitable that writers who have experienced colonization face confusion on their own identity. This is because they write in the language of imperialists instead of using their mother tongue. Irish writers have also encountered this phenomenon as other writers whose countries were colonized. So in Ireland, there was a movement, especially in the 19th century, to restore their language, which was thought to reveal Irish nationality. In Ireland, however, the Gaelic conservation policy failed since English was a means of social success. On the one hand, Heaney also talks about grief at disappearing Gaelic, showing how it was faded away by the colonialists’ language, which was English. On the other hand, rather than trying to revive Gaelic for national identity, Heaney propounds a common language that embraces all the people on the island of Ireland. Irish English, a combination of Gaelic vowels and English consonants, allows the Irish to be away from chauvinism that once caused brutal violence in Ireland. Moreover, this language, which transcends race, religion, etc., is a good example of cultural diversity which has been accumulated through their history. This is the harmonious image and embracement that Heaney desires through Irish English.

Abstract

This paper aims to explore how Seamus Heaney seeks harmony in his divided country through his language-related poems. It is almost inevitable that writers who have experienced colonization face confusion on their own identity. This is because they write in the language of imperialists instead of using their mother tongue. Irish writers have also encountered this phenomenon as other writers whose countries were colonized. So in Ireland, there was a movement, especially in the 19th century, to restore their language, which was thought to reveal Irish nationality. In Ireland, however, the Gaelic conservation policy failed since English was a means of social success. On the one hand, Heaney also talks about grief at disappearing Gaelic, showing how it was faded away by the colonialists’ language, which was English. On the other hand, rather than trying to revive Gaelic for national identity, Heaney propounds a common language that embraces all the people on the island of Ireland. Irish English, a combination of Gaelic vowels and English consonants, allows the Irish to be away from chauvinism that once caused brutal violence in Ireland. Moreover, this language, which transcends race, religion, etc., is a good example of cultural diversity which has been accumulated through their history. This is the harmonious image and embracement that Heaney desires through Irish English.

참고문헌 (25)

  1. 정영희, "셰이머스 히니" (2001), 평민사
  2. Ashcroft, Bill, "The Empire Writes Back: Theory and Practice in Post-Colonial Literatures" (2002), Routledge
  3. Corcoran, Neil, "A Student’s Guide to Seamus Heaney" (1986), Faber and Faber
  4. Derrida, Jacques, "Monolingualism of the Others" (1998), Stanford UP
  5. Eagleton, Terry, "Nationalism, Colonialism, and Literature" (1990), Minnesota UP
  6. Garratt, Robert F, "Modern Irish Poetry: Tradition and Continuity from Yeats to Heaney" (1986), California UP
  7. Hart, Henry, "Seamus Heaney: Poetry of Contrary Progressions" (1993), Syracuse UP
  8. Heaney, Seamus, "The Government of the Tongue: Selected Prose 1978-1987" (1990), Farrar, Straus and Giroux
  9. Heaney, Seamus, "North" (1975), Faber and Faber and Faber
  10. Heaney, Seamus, "Preoccupations: Selected Prose 1968-1978" (1980), Faber and Faber
  11. Heaney, Seamus, "Selected Poems 1966-1987" (2014), Farrar, Straus and Giroux
  12. Heaney, Seamus, "Wintering Out" (1972), Faber and Faber
  13. Joyce, James, "The Critical Writings of James Joyce" (1959), The Viking Press
  14. Joyce, James, "A Portrait of the Artist as a Young Man" (1960), Penguin Books
  15. Joyce, James, "Stephen Hero" (1963), New Directions
  16. Klitgård, Ida, "Re-Mapping Exile: Realities and Metaphors in Irish Literature and History", pp.107~134 (2006), Aarhus UP
  17. MacSíomóin, Tomás, "The Broken Harp: Identity and Language in Modern Ireland" (2014), Nuascealta Teoranta
  18. May, Stephen, "Language and Minority Rights" (2008), Routledge
  19. Molino, Michael R, "Questioning Tradition, Language, and Myth: the Poetry of Seamus Heaney" (1994), Catholic U of America P
  20. Morrison, Blake, "Seamus Heaeny" (1982), Methuen
  21. Murphy, James H, "The Wild Geese", The Irish Review, (16), pp.23~28 (1994)
  22. O’Donoghue, Bernard, "Seamus Heaney and the language of poetry" (1994), Harvester Wheatsheaf
  23. Parker, Michael, "Seamus Heaney: the making of the poet" (1993), Macmillan
  24. Tobin, Daniel, "Passage to the Center: Imagination and the Sacred in the Poetry of Seamus Heaney" (1999), Kentucky UP
  25. Yeats. W.B, "W.B Yeats" (2004), Faber and Faber

관련 논문AI추천

이 간행물의 다른 논문 (4건)