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전유적 글쓰기와 아일랜드성

Appropriate Writing and Irishness

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Seamus Heaney has been witnessing the historical moments of the death of his motherland, Ireland, as well as of the Irish people, as was manifested by the history of Ireland. By witnessing these moments, the Irish people broke cycle of imperial situation. The consciousness of Irish people became that of the nation. That is to say, Heaney accepted the humiliating colonial history under the colonial situation in Ireland and the humble Irish people of the present in their ordinary lives. By way of this historical experience of the authentic decolonialization of his motherland, Heaney’s aesthetics became more and more politicized against the crisis which the repressive force of imperialism caused to occur. Under this traumatic disasters of Ireland, Heaney’s poetic quest enables him to struggle against the colonial power in a poetic way by demythologizing romantic celticism as well as by finding out the real poetic autonomy. This essay has attempted to analyze Heaney’s texts and to trace decolonial aspects revealed in his poetry. This thesis has also attempted to examine Heaney’s attitude against English colonialism in the process of his poetic development.

Abstract

Seamus Heaney has been witnessing the historical moments of the death of his motherland, Ireland, as well as of the Irish people, as was manifested by the history of Ireland. By witnessing these moments, the Irish people broke cycle of imperial situation. The consciousness of Irish people became that of the nation. That is to say, Heaney accepted the humiliating colonial history under the colonial situation in Ireland and the humble Irish people of the present in their ordinary lives. By way of this historical experience of the authentic decolonialization of his motherland, Heaney’s aesthetics became more and more politicized against the crisis which the repressive force of imperialism caused to occur. Under this traumatic disasters of Ireland, Heaney’s poetic quest enables him to struggle against the colonial power in a poetic way by demythologizing romantic celticism as well as by finding out the real poetic autonomy. This essay has attempted to analyze Heaney’s texts and to trace decolonial aspects revealed in his poetry. This thesis has also attempted to examine Heaney’s attitude against English colonialism in the process of his poetic development.

참고문헌 (16)

  1. 김주성, "부활절 시에 나타난 예이츠의 낭만적 민족주의", 현대영미시연구, 9(1), pp.67~94 (2003), 한국현대영미시학회
  2. 허현숙, "신화에서 역사로: 예이츠와 이반 볼란드 시에서의 여성", 한국 예이츠 저널, 22, pp.143~163 (2004), 한국예이츠학회
  3. Ashcroft, Bill, "The Empire of Writes Back: Theory and Practice in Post-Colonial Literature" (1989), Routledge
  4. Ashcroft, Bill, "The Post-colonial Reader" (1997), Routeledge
  5. Bochmer. Elleke, "Colonial and Postcolonial Literature" (1995), Oxford University Press
  6. Chadwick, Joseph, "Yeats: Colonialism and Responsibility, In International Aspects of Irish Literature" (1996), Gerrards Cross
  7. Cullingford, Elizabeth B., "Gender and History in Yeats's Love Story" (1994), Syracuse University Press
  8. Cullingford, Elizabeth B., "Yeats, Ireland, and Fascism" (1981), Macmillan
  9. Curtis Tony, "The Art of Seamus Heaney" (1982), Poetry Wales
  10. Gandhi, Leela, "Postcolonial Theory" (1998), Columbia University Press
  11. Garrat, Robert B., "Modern Irish Poetry: Tradition and Continuity from Yeats and Heaney" (1986), University of California Press
  12. Heaney, Seamus, "Selected Poems 1965-1975" (1975), Farrar, Straus and Giroux
  13. Heaney, Seamus, "Preoccupations: Selected Prose 1968-1978" (1978), Faber and Faber
  14. Heaney, Seamus, "The Redress of Poetry" (1995), Farrar, Straus and Giroux
  15. Parker, Michael, "Seamus Heaney: The Making of the Poet" (1983), Macmillan Press
  16. Said, Edward, "Culture and Imperialism" (1993), Chatto & Windus

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