영화 <양축(梁祝)>의 서사와 수용 양상 연구
A Study on the Narrative and Audiences' Reception Aspect of the Films <The Lovers>
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This study has the purpose of the audiences' reception aspect about the films the lovers. The films the lovers is based on the tragic love story of Yangsanbaek and Chukyungdae in the East-Chin Dynasty. Tale of Yang-chuk, the original story of the films, has been effected on the Chinese and Korean. According to changing media environment, the classical narrative has been accepted through the new method, the typical form is a film. Accordingly, this study has studied the phenomenon what the films the lovers has been accepted in Korea. The film version of Tale of Yang-chuk, the lovers successfully recreated and it has been made various version continuously. Characters of the lovers gave a funny and touching to the audiences. The audiences thought that the love of Yangsanbaek and Chukyungdae is the love of Romeo and Juliet. The narrative of the lovers has the melodramatic elements, so many audience dropped tears seeing a movie. As an active audience, audiences of the modern accepted text of the lovers as a sad love story. The Korean audiences have been concerned continuously about the films the lovers. Now we have to think that classical narrative how to communicate with the audiences through the most modern means.
Abstract
This study has the purpose of the audiences' reception aspect about the films the lovers. The films the lovers is based on the tragic love story of Yangsanbaek and Chukyungdae in the East-Chin Dynasty. Tale of Yang-chuk, the original story of the films, has been effected on the Chinese and Korean. According to changing media environment, the classical narrative has been accepted through the new method, the typical form is a film. Accordingly, this study has studied the phenomenon what the films the lovers has been accepted in Korea. The film version of Tale of Yang-chuk, the lovers successfully recreated and it has been made various version continuously. Characters of the lovers gave a funny and touching to the audiences. The audiences thought that the love of Yangsanbaek and Chukyungdae is the love of Romeo and Juliet. The narrative of the lovers has the melodramatic elements, so many audience dropped tears seeing a movie. As an active audience, audiences of the modern accepted text of the lovers as a sad love story. The Korean audiences have been concerned continuously about the films the lovers. Now we have to think that classical narrative how to communicate with the audiences through the most modern means.
참고문헌 (30)
- Turner, Graeme, "대중 영화의 이해" (2001), 한나래
- 김미정, "영화로 보는 중국문화이야기" (2010), 신아사
- 김정기, "매스미디어와 수용자" (1999), 커뮤니케이션북스
- 김정희, "스토리텔링으로 보는 콘텐츠 기획" (2010), 한국외국어대학교출판부
- 김학주, "詩經" (1997), 명문당
- 어건주, "민담 형태론" (2009), 지식을만드는지식
- 손정희, "소설, TV드라마를 만나다" (2008), 푸른사상
- 오탁번, "서사문학의 이해" (1999), 고려대학교 출판부
- 윤보협, "멜로 드라마란 무엇인가 : 자유부인에서 접속까지" (1999), 민음사
- 이강수, "수용자론" (2002), 한울아카데미
- 이종철, "중국영화의 거장들" (2008), 학고방
- 이형식, "영화의 이해" (2004), 건국대학교출판부
- 임춘성, "21세기 중국의 문화지도-포스트사회주의 중국의 문화연구" (2009), 현실문화연구
- 정광호, "신중국, 중국인 이야기" (2008), 매일경제신문사
- 중국 현대문학학회, "중국영화의 이해" (2008), 동녘
- 주창윤, "대한민국 컬처코드" (2010), 21세기북스
- 김수연, "<양축>설화의 국내유입과 <양산백전>에 나타난 소설화 양상", 고소설연구, (29), pp.405~442 (2010), 한국고소설학회
- 김상우, "TV역사 드라마의 수용양상에 관한 연구: <해신> 인터넷게시판 분석을 중심으로", 석사, pp.2008
- 주림, "한국 <양산백전>과 중국 <양산백과 축영대>의 비교 연구", 석사, pp.2009
- 조도현, "<田禹治>서사의 현대적 변이와 유통방식 -영화 <전우치>를 중심으로", 한국언어문학, (74), pp.371~390 (2010), 한국언어문학회
- 조도현, "<춘향전> 변이의 영상텍스트적 모색과 전망 - 영화 <방자전>을 중심으로", 우리말글, 51, pp.179~199 (2011), 우리말글학회
- 정규복, "양산백전 고", 중국연구, 4, pp.33~60 (1979)
- 박진태, "중국 양축설화(梁祝說話)의 수용과 변용", 어문학, 75, pp.205~236 (2002), 한국어문학회
- 婷婷, "徐克 ≪梁祝≫ 贊", 電影文學, 11, pp.64~ (2005)
- 顧瑩, "淺議 ≪梁山伯與祝英台≫ 對現代愛情的影響, in 人文論壇", pp.167~, 人文論壇
- 丁寧, "淺析徐克“古典系列”的文化意蘊", 齊魯藝苑, 88, pp.44~48 (2006)
- 祁秋娟, "徐克新版 ≪梁祝≫ 中的傳統愛情價値觀與現代女權意識", 電影文学, 23, pp.75~ (2008)
