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“荒芜英雄路” — 论张承志的小说创作

Desolate road of hero―On Zhang Chengzhi's novels creation

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在这篇论文中,我试图从创作主题、文化心理含蕴、话语形式等方面展开论述,将作家强烈的民族情感和虔诚的宗教信仰作为脉络和线索贯穿于始终,从而力求较全面地把握张承志小说创作的整体风貌和隐于文学表象背后的深层意蕴。论文要点如下:Ⅰ. 前言。论述对张承志的总体印象、论文的大致思路。Ⅱ. 作品主题。张承志创作的主题集中体现于人物塑造上,即一系列具有独立人格和精神的叛逆英雄,其核心是反叛精神。这种反叛可分为二:一是文化意义上的反叛,一是宗教形式的反叛,贯穿其中的是作家执著表现的英雄主义精神——其本质是反对一切专制和任何非人道的思想。Ⅲ. 文化心理含蕴。主要运用文化人类学批评的观点,尝试从原始主义的角度对作品的文化心理含蕴做深入地发掘。Ⅳ. 话语形式。张承志的文学话语具有倾诉的本质特征。这种倾诉为作品中激越澎湃的情感驱使而成。因此,抒情性和主观性就成为作家鲜明的语言风格。同时,抒情的本质决定了话语形式的诗质特征,并促使作家最终选择“诗”——即他所谓的“新诗”体作为文学创作的话语形式。此外,方言、少数民族语言以及宗教语言的大量使用,使得以汉语写作的张承志的作品呈现出一种非汉化的异文化特质。Ⅴ. 结语。

Abstract

In this paper I attempt to discuss from the aspects of theme, cultural psychology, patterns of discourse, and examine the strong nationalistic emotions and devout religious beliefs of the writer as clues and context, in order to comprehensively grasp the deep meaning of Zhang Chengzhi's writing style and literary imagery. The main points of the thesis are as follows:Ⅰ. Preface. General impression about Zhang Chengzhi's novels and general ideas of this thesis. Ⅱ. The theme of literary works. Zhang Chengzhi creation theme embodied in shaping the character, which is a series of independent personality and the rebellious hero, its core is the spirit of rebellion. This resistance can be divided into two: one is the cultural significance of the rebellion, a religious form of rebellion, the writer is persistent manifestation of heroism -- the essence are denied all kinds of autocracy and any non humanitarian thoughts. Ⅲ. Cultural psychology. By using the concept of cultural anthropology criticism, this thesis try do in-depth excavation of the cultural psychology of Zhang Chengzhi's novels from the original perspective . Ⅳ. Discourse form. The literary discourse of Zhang Chengzhi has the essence of confiding . This confiding is driven by the intense emotion of his works. Therefore, the lyrical and subjectivity has become a writer distinct language style. At the same time, the lyric essence decides the poetic features of discourse, and prompted the writer chose "poem" -- what he called "New poetry" as the literary form of discourse. In addition, the use of dialects, minority language and religious language make Zhang Chengzhi's Chinese writings present different cultural traits of a non chinese. Ⅴ. Conclusion.

참고문헌 (9)

  1. 方克强, "文学人类学批评" (1992), 上海社会科学院出版社
  2. 童庆炳, "文学活动的美学阐释" (1992), 陕西人民出版社
  3. 何 清, "张承志:残月下的孤旅" (1997), 山东文艺出版社
  4. 张承志, "小说集, 老桥" (1984), 北京十月文艺出版社
  5. 张承志, "散文集, 绿风土" (1989), 作家出版社
  6. 张承志, "随笔集, 荒芜英雄路" (1994), 知识出版社
  7. 张承志, "小说集, 回民的黄土高原" (1993), 青海人民出版社
  8. 张承志, "张承志新诗集——错开的花" (1993), 北京师范大学出版社
  9. 地下室手记, "臧仲伦译, 双重人格", 陀斯妥耶夫斯基

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