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프랑코 체제하의 검열과 그 영향- 문학작품 중심으로 -

Censorship and Its Impact under the Franquismo:Focusing on novels

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This present study focuses on Franco's censorship and its influences in the works of Carmen Martín Gaite and Miguel Delibes. We know that from the years 1940’s to 1970’s a very harsh censorship existed in Spain. But the authors of those times were not completely obedient to the power of the Regime. Some authors attempted to find a new way to present his novels. In fact, Between Curtains of Martín Gaite shows an ideology that advocates for women who were not valued as deserved at the time. Against Franco’s totalitarianism the author indirectly revealed readers an attempt to improve the situation of women, criticizing the tradition. On the other hand, Delibes sought a new way of presenting the novel in Five Hours with Mario to avoid Franco regime’s censorship. The author hid behind a character that represents Franco’s politics to criticize the society of that time. The both authors as representatives of contemporary Spanish literature demonstrate that the oppression does not restrict the authors’ ability to create unexpected works.

Abstract

This present study focuses on Franco's censorship and its influences in the works of Carmen Martín Gaite and Miguel Delibes. We know that from the years 1940’s to 1970’s a very harsh censorship existed in Spain. But the authors of those times were not completely obedient to the power of the Regime. Some authors attempted to find a new way to present his novels. In fact, Between Curtains of Martín Gaite shows an ideology that advocates for women who were not valued as deserved at the time. Against Franco’s totalitarianism the author indirectly revealed readers an attempt to improve the situation of women, criticizing the tradition. On the other hand, Delibes sought a new way of presenting the novel in Five Hours with Mario to avoid Franco regime’s censorship. The author hid behind a character that represents Franco’s politics to criticize the society of that time. The both authors as representatives of contemporary Spanish literature demonstrate that the oppression does not restrict the authors’ ability to create unexpected works.

참고문헌 (21)

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  2. 김경범, "스페인 황금세기의 문학검열", 이베로아메리카 연구, 8, pp.235~268 (1997)
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  5. 레베카 크누스, "책을 학살하다" (2010), 알마
  6. ABELLÁN, Manuel L., "Censura y creación literaria en España (1939-1976)" (1980), Ediciones Península
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  8. ALAMO Francisco Felices, "novela social española, In Conformación ideológica, teoría y criñtica" (1996), Universidad de Almería
  9. BENEYTO Juan Pérez, "La censura literaria en los primeros años del Franquismo. Las normas y los hombres", Diálogos hispánicos de Amsterdam, (5), pp.169~180 (1987)
  10. BLAS, Andrés de J., "El libro y la censura durante el Franquismo: un estado de la cuestión y otras consideraciones", Espacio, tiempo y forma, historia contemporánea, serie, (12), pp.281~301 (1999), UNED
  11. CRIG, Ian S., "La censura franquista en la literatura para niñas: Celia y Antoñita la fantástica bajo el Caudillo", Actas XIII Congreso AIH (Tomo IV), pp.69~78 (2000)
  12. DELIBES, Miguel, "Cinco horas con Mario" (1992), Destino
  13. GOYTISOLO, Juan, "El furgón de la cola", pp.51~74 (2001), Editorial Seix-Barral
  14. MARTÍN, Carmen Gaite, "Entre visillos" (2000), Destino
  15. MUÑOZ, Cáliz, "Berta, Expedientes de la censura teatral franquista" (2006), Fundación Universitaria Española
  16. NEUSCHÄFER, Hans-Jörg, "Adiós a la España eterna (La dialética de la censura. Novlea, teatro y cine bajo el franquismo" (1994), Editorial Anthropos
  17. "Valle-Inclán y la censura franquista I: 1939-1955" (2001)[URL]
  18. RUIZ Bautista, Eduardo, "Tiempo de censura: La represión editorial durante el franquismo" (2008), Trea D.L.
  19. SANTONJA, Gonzalo, "Del lápiz rojo al lápiz libre" (1986), Anthropos
  20. SINOVA, Justino, "La censura de prensa durante el franquismo" (2006), DeBolsillo
  21. SOBEJANO, Gonzalo, "Novela española de nuestro tiempo: (en busca del pueblo perdido)" (1975), Prensa Española

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