<大觀齋記夢>의 “비애정류 전기소설” 양식적 특징과 전기소설사적 의의

Abstract

This study attempted to clarify the stylistic category and the stylistic category and the historical significance of the novel in <Daekwanjaekimong>, which has been defined as the beginning of Mongyurok, but has deviated from the stylistic typicality of Mongyurok confirmed in other post-16th century Mongyurok in the relationship between the stylistic attributes of Cheongi novel. First of all, this study proved that the stylistic homogeneity with "Non-affectionary typical Cheongi novel" was confirmed in <Daekwanjaekimong>. The dream narrative of <Daekwanjaekimong> is a structure of the stylistic desires-satisfaction of Cheongi novel in that the desire of the Hero Sim-mo, which was originally lacking in the real world, is vicariously satisfied through the fantasy of the dream. At the same time, the dream world and the real world of <Daekwanjaekimong> show the stylistic typicality of Cheongi novel in that they constitute a non-demarcate continuum in a mutually influential relationship. Next, this study examines the historical significance of Cheongi novel's internal 16th-century transformation as confirmed in <Daegwanjae Dream>. The historical significance of "Non-affectionary typical Cheongi novel" of <Daekwanjaekimong> is can be defined as five things like the extension of the list of "Non-affectionary typical Cheongi novel", the strengtheness of the historical differentiation of 16th century Cheongi novel centered on "Non-affectionary typical Cheongi novel", the establishment of a preliminary foundation linked to the context of enhancing the reality of the 17th century Cheongi novel history, the mediating succession to the strengtheness flow of the historicity that lasted from the late Silla and the early Goryeo era to the 17th century, and preemptive implementation of popularity that pursued narrative interest through external conflicts with others.