어드릭의 채색된 북에 나타난 존재의 연결과 아니시나아베 사유
All Life’s Connection and Anishinaabe Thought in Erdrich’s The Painted Drum
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This essay explores how Louise Erdrich’s The Painted Drum represents the Anishinaabe worldview of “the good life” (mino-bimaadiziwin) and its significance for the Ojibwes’ survival as it focuses on the eponymous drum as a non-human thing and its interrelations with other people who suffer losses all on their own. The essay argues that The Painted Drum envisions the Ojibwes’ recovery from their personal and communal losses through their awakening to the idea of “connection” within Anishinaabe mino-bimaadiziwin: the connection between humans and non-humans, death and life, destruction and creation, transcendence and immanence. Reifying such diverse connections, the novel invites the reader to acknowledge the conception of the relational world and the necessity of respecting all animate and inanimate beings.
Abstract
This essay explores how Louise Erdrich’s The Painted Drum represents the Anishinaabe worldview of “the good life” (mino-bimaadiziwin) and its significance for the Ojibwes’ survival as it focuses on the eponymous drum as a non-human thing and its interrelations with other people who suffer losses all on their own. The essay argues that The Painted Drum envisions the Ojibwes’ recovery from their personal and communal losses through their awakening to the idea of “connection” within Anishinaabe mino-bimaadiziwin: the connection between humans and non-humans, death and life, destruction and creation, transcendence and immanence. Reifying such diverse connections, the novel invites the reader to acknowledge the conception of the relational world and the necessity of respecting all animate and inanimate beings.
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