靖山 宋鎬坤의 남명학파적 성향 一考

Abstract

This article was written with the intention of extracting Nammyeonghakpa[南冥學派]'s elements from Jeongsan[靖山] Song, Ho-Gon[宋鎬坤]'s life. This shows how Nammyeonghak[南冥學] was accepted during the Japanese Colonial Period. Song, Ho-Gon's family had a close relationship since the early days when Nammyeong Jo, Sik[南冥曺植] moved to Samga, also made a certain contribution to the creation of 「Yokcheon[浴川]」 in which the core of the Jo, Sik's thought was embodied in strong expression. Moreover, through the fact that 「Shinmyeongsado[神明舍圖]」 the essence of Jo, Sik's thought, was completed during this period, the characters of Song, Ho-Gon's family were able to experience the peak of Nammyeonghak closely, and this intense experience seems to have influenced Song, Ho-Gon from generation to generation. Song, Ho-Gon recognized the phrase expressed in 「Shinmyeongsado」's "The king must die in his own country[國君死社稷]" as the core of Nammyeonghak. It was the academic attitude of risking one's life for the right thing. And he borrow the rhyme of Jo, Sik's 「Yokcheon」, and the poem described the most academic figure as Jo, Sik. He never recognized the Japanese colonial era system. As a Confucian scholar, he regarded 'Don[遯]' as the creed of living in that era. This was a concept including Jo, Sik's 'Daechuk[大畜]'. He paid keen attention to current affairs, and thought the confrontation between the factions should be overcome. Because he believed that the country could stand upright through it.