田园⋅苦吟⋅抒情－臧克家旧体诗的诗学渊源研究－

Abstract

This article shows the close relationship between Zang Kejia’s old style poems and the ancient Chinese literary tradition. First of all, Zang Kejia’s old style poems inherited idyllic poetry to a certain extent. In Zang Kejia’s old style poems, the poet not only expresses the tranquility and leisure of rural life, but also describes the hardships of rural life. Zang Kejia’s idyllic poems are different from the idyllic poems in Chinese classical literature, that is, because of the influence of the times, Zang Kejia’s idyllic poems are a new type of idyllic poems with revolutionary meanings. Second, Zang Kejia’s old style poems also learned the style of poetry written by the Bitter Melon Poet to a certain extent. This is mainly manifested in three aspects: firstly, it pays great attention to the lyrical function of poetry; secondly, it tries to reflect the present life; and thirdly, it pursues the repeated carving and refining of language. Third, Zang Kejia’s old style poetry inherits the lyric tradition of Chinese classical poetry, which fits perfectly with the value requirements of the three levels of lyricism. The study of Zang Kejia’s old style poems is of great significance to the blending of new and old Chinese literature in the 20th century. The study of Zang Kejia’s old-style poems from the perspective of poetic origin proves that the relationship between Chinese modern and contemporary literature and Chinese classical literature is interconnected, not broken. The Chinese literature in this period is in a crucial period of “new” and “old” alternation, and the new literature and old literature both resist each other and infiltrate each other.