情懷小樣杜陵詩 ─ 余光中作品與中國現代詩的主題與格律
In the Shadow of Tu Fu-Yu Kwang-chung and Modern Metrics and Themes of Chinese Poetry
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作者簡介 : 梁欣榮(Yanwing LEUNG)。臺灣大學學士、碩士，美國德州A&M大學英美文學博士，現為臺灣大學外國語文學系副教授及國際事務處副處長，主要從事英美文學及比較文學之研究與實務英文教學，興趣包括金石、書畫及中國近體詩等。 內容題要 : 余光中的作品中隨處可見中國文化典律的影子，雖然是新詩，沒有明顯的格式規範，而且主題博大，但余詩並未因此而失去中國詩的精神與潛在的韻律，原因應是詩人能夠在作品中與文化及傳統主題連結，處處喚起典律的回憶。本文探討今日現代詩所面臨的兩大問題:格律的消失與主題的擴大。在一般詩人的作品中都可能產生負面影響，而余光中卻能從中蛻變而蝶化，為現代詩豎立新的典範。
Abstract
Although Yu Kwang-chung writes his poems in vernacular Chinese, one sees and feels a touch of the Chinese classics throughout his canon. Despite the clear absence of classical metrics and poetics, a sense of rhyme and rhythm is built into his poetry via a subtle use of half quotes and allusions, articulating powerful sentiments that conjure up classical themes of past poets. This paper also address two main issues that haunt practitioners of modern Chinese poetry but that do not seem to cast a shadow on Yu Kwang-chung’s performance：the disappearance of metrics and the unlimited expansion of themes.
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