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論余光中《夢與地理》裡所呈現的現實意識及其界限

A Discussion on the Idea of Reality and its Boundary that Emerge in Yu Kwang-chung’s Dreams and Geography

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주제분류중국어와문학

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作者簡介 : 金尚浩 (Sang-Ho KIM), 1961年生,韓國首爾人。國立中山大學中國文學博士。專長為中國現代文學、台灣文學、比較文學、文學評論。現任臺灣修平技術學院應用中文系副教授。曾獲得「東亞人文學會慕山學術獎」。論著有:《徐志摩詩研究》、《中國早期三大新詩人研究》、《戰後臺灣現代詩研究論集》等多種。譯著有:《臺灣詩人陳千武詩選》、《臺灣詩人巫永福詩選》、《臺灣詩人趙天儀詩選》、《韓國詩人金光林詩選100》等。 內容題要 : 余光中在高雄時期把筆尖從中國大陸伸向臺灣本土。他開始有意識地以臺灣的社會現象,社會問題為其歌詠的對象,對高雄的事物表現出莫大關懷。他在一九九零年出版的詩集《夢與地理》是這時期的作品,以臺灣為題材的詩作佔了最大的篇幅。「地理」同樣代表「現實」,表現時空與現實的關係,也寫一些與臺灣現實社會有關的詩。余光中詩風多變,在不同的階段呈現出殊異的風格。本文以詩人回臺後出版的詩集《夢與地理》為主,探討現實意識及其界限。

Abstract

Yu Kwang-chung shifted his subject from mainland China to Taiwan during his Kaohsiung period. He showed his great concern for matters in Kaohsiung in a conscious move to use social phenomena and social problems in Taiwan as the subject matter of his poetry. His anthology Dreams and Geography published in 1990 falls into this period, with most of the content having Taiwan as its theme. “Geography” also represents “reality”, and shows the relationship between time and space, with the poems touching on the many realities in Taiwanese society. Yu’s poetry is varied in style, showing distinct differences for the various periods. This article investigates the ideas of reality and its boundary based mainly on Dreams and Geography published by the poet upon his return to Taiwan.

참고문헌 (12)

  1. 黃維樑, "用《文心雕龍》來評析文學—以余光中作品為例", 中國比較文學學會第六屆年會暨國際學術研討會論文 (1999)
  2. 余光中, "夢與地理" (1990), 洪範書店
  3. 錢學武, "自足的宇宙—余光中詩題材研究" (1998), 香江出版有限公司
  4. 陳芳明, "余光中的現代主義精神, In 台灣現代詩經緯", pp.179~ (2001), 聯合文學
  5. 黃維樑, "怎樣讀新詩", pp.73~ (1989), 五四書店
  6. 錢學武, "論余光中詩的語言藝術, In 結網與詩風:余光中先生七十壽慶論文集", pp.121~ (1999), 九歌出版社
  7. 余光中, "談詩歌", pp.25~ (2003), 江西高校出版社
  8. 余光中, "從母親到外遇, In 日不落家", pp.235~ (1998), 九歌出版社有限公司
  9. 陳幸蕙, "悅讀余光中—詩卷", pp.82~ (2002), 爾雅出版社
  10. 傅孟麗, "茱萸的孩子—余光中傳", pp.322~ (2005), 天下遠見出版
  11. 林明德, "臺灣現代詩經緯", pp.180~ (2001), 聯合文學
  12. 葉石濤, "展望臺灣文學", pp.14~15 (1994), 九歌出版社

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