디지털 매체를 활용한 극 공간디자인의 환영적 연출사례 연구 -Chunky Move Dance Company의 <Glow>를 중심으로 -

Abstract

(Background and Purpose) Since its appearance in 1950, media art is being gradually integrated into various art fields . At the boundary between the real and the unreal in time and space, the public want to be provided with more powerful illusions and newness in the dramatic space. Digital media are being actively tried and utilized as a method of expression to solve this problem. In the transition from a unilateral spatial concept to a dynamic and relative spatial one, expressions for activating various visual and perceptual impressions and for expanding experiences in the dramatic space are being introduced. Upon this background, this study analyzed the elements of dramatic space design based on the use of digital media and analyzed the characteristics of illusions to express a welcoming presentation. The aim of the study was improvement and consideration. (Method) This study involved the preparation of a framework for analyzing works by understanding the expression elements and directing methods through theoretical and documentary considerations, such as the development process of digital technology and components of illusion. The scope of the study included an analysis by scene, focusing on Glow, among the works of Australian dance organization Chunky Move’s Company. The study analyzed welcome expressions using digital media, characteristics of spatial presentation, and various elements and contents. (Results) First, the expansion of the margins appeared. It is based on live, physical space consisting of the subject of movement (body) and floor only. Second, the illusion of repetition, variation, dot, and overlap was used as elements for image stimulation. Third, interrelationship and interactive visual narrative communication was used. The use of digital media can extend the interpretation of the specificity of space and the subject of movement. As a result, the audience was able to realize a new experience and interact with the space, the subject of movement, the digital media, the audience, and even the gaps between them. (Conclusion) It was found that convergence among digital media is an effective way to maximize illusion in dance drama. It was also found that the activation of various sensations and perceptions through digital media can play a role in providing media sensations and emotional experiences. In addition, the linkage of spatial change reveals how the illusion in the new polar space can be expressed and how experimental trials can be conducted between boundaries and limits. These possibilities are used as basic materials for the expression and attempt of digital media in the future of spatial design to present the concepts and directions for mutual technical and design methods.