극 공간디자인에서 나타난 트랜스미디어 표현사례 연구

Abstract

(Background and Purpose) Stage space has interrelated connections in various ways as a place of communication with the audience. In the past, if the polar space design was biased by the factual and concrete reproducibility of the story, it now shows a new image story and technological evolution through expressive expansion and technical medium development. Among them, trans-media expression is transformed into the concept of relative space as a visual narrative for emotion and communication channel. It has potential to be used as visual illusion, emotional experience, and story expression for communication in stage space. At present, the attempts at scientific and technological expression methods for this mutual communication relationship in domestic stage design are insufficient. In this study, through the case of the trans-media expression method, it is shown that the interaction between analog communication and the technical, artistic, experimental, and media sensibility, through the visual expression of time, space, and narrative, increases the importance of unrealistic illusions in the stage space and the expansion of experience between reality. (Method) First, the theoretical review and case study on trans-media and stage space will be conducted. Based on the theoretical considerations that have been studied in the past, we have selected examples of stage space expressions centering on trans-media within the past 10 years. The study found that the extension of outer space, internal extension, communication, contact, and visual narrative elements are plain language, of the total population. (Results) As a result, it can be seen that the expansion between space and medium in stage space has a characteristic of infinite spatial expression in expressing the illusion of realistic fiction and fictitious reality. Also, the story was changed and expanded so the message could be delivered more effectively. The relationship between the media is absorbed into the digital space, creating the integration of media sensibility and empathy, and the communication expansion with the audience, the realistic illusion, the change, and the sensualization are depicted. Therefore, media interaction and the connection of poetry and space showed the possibility of expanding direct and indirect experience. (Conclusion) In this study, the design of stage space using trans-media is changed into another trans-media. The depth of the visual narrative extends into infinite space, through analysis and research. The illusion between reality and fiction conveys media sensibility and empathy with new space experience. It plays an important role in stage space and we hope that it will be utilized as a basic data for various attempts to express the dramatic space by utilizing the trans-media element in domestic stage space.