무용예술과 홀로그래피 영상의 상호보완성 연구

Abstract

This study aimed to explore the effect of mutual complementarity between dance performance and holographic display, to analyze the arts work titled 《Glow, 2006》 based on it, to retain the balanced-out sensibility among audiences, and to lead the crowds to build effective relationship with the arts piece. The analysis is structured into two parts, which is spatial and communicative aspects. The spatial aspect implies that the features of holographic sight combined with the artwork are contributing to expand the content and formation of the artwork. Even within the extent of the same space, identical movements, it makes the movements expand, which would lead to the most effective mutual complementary relationship. The communicative perspective points out that the dancer’s sensibility engaged in the video art’s rationality enables more flexible ways of thinking and this organic relationship would eventually allow expanded sense in terms of communication. Holographic image fusion has been tried out by large number of creators, but lack of understanding from multi disciplinary professionals could be deterrent. Therefore, it is needed that the choreographers should keep further researches on the understanding of the mutual complementarity and set the long-term plan to conduct a systematic and sufficient study. This would function as the substantial significance of fusion and improve the understanding and communication. At the end, it would regarded as a suggestion to overcome the limit of choreography.