역사계 전시에 있어서 MR 매체 연출특성에 관한 연구

Abstract

(Background and Purpose) A historical museum includes various exhibition halls limited to the Museum of Anthropology, Folklore, and History, consisting of historical ideas and significance but focusing on actual materials. However, the exhibition display method in most historical museums is authoritative and vertical, centered on relics and records, and the one-way exhibition spectating pattern has limitations in effective communication with visitors. To overcome this problem, digital technologies, such as virtual and augmented reality, have been introduced and reorganized into an immersive exhibition where visitors can experience content using MR media that combines the merits of the two digital technologies mentioned above. Therefore, this study proposes a new historiographic display that utilizes the characteristics of MR media in an existing exhibition display that represents the historical meaning and value of historical museums. (Method) The scope of this study is limited to a new historical museum utilizing the characteristics of MR media that can maximize the narrative of relics and induce narrative immersion from existing historical museography. To this end, it considers the value of historical materials in historical museums and the effects and need for MR media among exhibition display media. It explores the general and storytelling characteristics of the narrative environment of relics in existing historical museography, based on which it derives the characteristics of MR media. (Results) In historical museography, new historical museography, which exhibits the characteristics of MR media by extending the general development and storytelling characteristics of the narrative environment, has no spatiotemporal limitations. Hence, it can lead to new narrative immersion in relics through real-time interaction between visitors and exhibits, maximizing the degree of immersion in exhibitions. (Conclusion) The following conclusions are drawn. First, exhibition displays utilizing MR media in historical museography can overcome the spatiotemporal limitations of MR devices and stimulate the five senses of visitors through multiple channels, such as 3D graphics, high-definition video, and sound, maximizing the immersive environment. In historical museography, the exhibition display combines presence, immersion, and interactivity– the primary characteristics of MR media–maximizing immersion by providing new narratives about relics and actively inducing historical thinking in visitors. The exhibition space of MR media, where reality and virtuality are fused, allows visitors and exhibits to interact in real time. As a result, visitors empathize with the historical memories and events of relics, and the effect of the historical experience is maximized. Therefore, further research on new immersive exhibition displays is required.