녹색 성장 시대, 새로운 글쓰기: 최성각의 생태문학을 중심으로
New Writing Method in the Green Growth Age: Focusing on Choi Seong-gak's Ecological Literature
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초록
The current study analyzed characteristics and meaning of ecological literature, and aims of new writing of Choi Seong-gak (1955~) in the green growth age. Choi Seong-gak, a novelist and environmental activist in Korea, released two books Fly, Birds and Goose, Matda and Mudabi in 2009 of the green growth age. Fly, Birds is an ecological essay book while Goose, Matda and Mudabi is an ecological novel. According to the author, they are 'ecological stories'. His ecological essays are critical and resistant to concrete anti-ecological situations in Korea, especially, the government that leads growth development. On the contrary, ecological stories are similar to novels in a view that they have descriptive structure based on ecological life and experiences, but they are closer to memoirs in a view that they describe true experiences. Choi Seong-gak's ecological writing presented in the two books is writing thorough toward life in the current environmentally critical age. In this writing process, he claims freedom from genre classes, and covers ecological issues in the Korean society through own essay writing. If 'ecological writing' is 'urgent' writing and critical writing acting against the green growth age, 'ecological story' is 'slow' writing and creative writing aiming to realize a new green world. In his ecological essays, Choi Seong-gak complained about anti-ecological life and anti-natural life, while in his ecological stories, he expressed ecological and natural life, and life and the value he is aiming at. Choi Seong-gak resists to 'the green growth' claiming winning circulation between environment and economy, low-carbon land development, creation of ecological space, etc. in his ecological writing and ecological literature. Commensalism and coexistence, steadiness and stoppage, consideration and caring, equality and exchange, and reflection and holiness are valued pursued by the author, and he tried to realize these values in the new ecological writing.
Abstract
The current study analyzed characteristics and meaning of ecological literature, and aims of new writing of Choi Seong-gak (1955~) in the green growth age. Choi Seong-gak, a novelist and environmental activist in Korea, released two books Fly, Birds and Goose, Matda and Mudabi in 2009 of the green growth age. Fly, Birds is an ecological essay book while Goose, Matda and Mudabi is an ecological novel. According to the author, they are 'ecological stories'. His ecological essays are critical and resistant to concrete anti-ecological situations in Korea, especially, the government that leads growth development. On the contrary, ecological stories are similar to novels in a view that they have descriptive structure based on ecological life and experiences, but they are closer to memoirs in a view that they describe true experiences. Choi Seong-gak's ecological writing presented in the two books is writing thorough toward life in the current environmentally critical age. In this writing process, he claims freedom from genre classes, and covers ecological issues in the Korean society through own essay writing. If 'ecological writing' is 'urgent' writing and critical writing acting against the green growth age, 'ecological story' is 'slow' writing and creative writing aiming to realize a new green world. In his ecological essays, Choi Seong-gak complained about anti-ecological life and anti-natural life, while in his ecological stories, he expressed ecological and natural life, and life and the value he is aiming at. Choi Seong-gak resists to 'the green growth' claiming winning circulation between environment and economy, low-carbon land development, creation of ecological space, etc. in his ecological writing and ecological literature. Commensalism and coexistence, steadiness and stoppage, consideration and caring, equality and exchange, and reflection and holiness are valued pursued by the author, and he tried to realize these values in the new ecological writing.
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