김소월 초기 시에 나타나는 「자야가」의 영향

Abstract

The purpose of this paper is to explain how Kim So-wol's " Azaleas Flower " was created. “Azaleas Flower” was created under the influence of the female Chinese poetry writers Jaya and Seoldo, “Jaya's song" and ”Chungnamsa“. In this paper, only the effects of " Jaya " were considered. Kim So-wol is thought to have translated “Jaya's song" into Korean, but there are no ones left from the Korean translation. Through Kim Ok's translation, " The Unforgettable " a modification to Kim So-wol's work, we could assume that Kim So-wol translated the poem “Jaya's song". There are two reasons to suppose that Kim Ok might have modified Kim So-wol's translation of the first poem. One is that Kim Ok doesn't fully understand “Jaya's song" and the other one is that the second half of the fourth line seems to have been translated by Kim So-wol. Kim So-wol created " The tears of the Afternoon, " " The Far After Day, " " The Unforgettable ", " Azaleas Flower " and " The Song of lover". Kim So-wol's " Azaleas Flower " has had three effects from “Jaya's song". The first is the poetic narrator's natural colloquialism style, which is characterized by “Jaya's song" The second is that it focuses on the paradox of love. A love paradox that even if you try to forget someone you could not give up to love because it is hard to endure the breakup, it is the subject of “Jaya's song". The third is the expression "I will not weep, even though I shall be dead." 'Cuchang' in the first half of the fourth line turned into a statement by a poetic speaker and used an ironic expression.