기행가사와 산수유기(山水遊記) 비교 고찰 - 어당(峿堂) 이상수(李象秀)의 「금강별곡」과 「동행산수기」를 대상으로 -

Abstract

This paper compares the structures, contents, characteristics of expressions, thoughts and the writer's attitudes in the traveling Gasa <Geumgangbyeolgok> and Sansuyugi <Donghaengsansoogi> written by 19th century poet Eodang Lee, Sangsoo (1820~1882). And I examined how the Han-gul Gasa and Chinese Sansuyugi were created and accepted and the differences of the aesthetics and interests pursued in the various categories of travel literature. <Geumgangbyeolgok> is organized organically according to the route from the departure to the impression of finishing the journey. It takes on the character of narrative literature by stating the experience, the subculture and the emotion of the itinerary in a panoramic way. On the other hand, <Donghaengsansoogi> is consisted of the several independent texts occupied a large part with the discussions. It has the character of an essay, which philosophically unravels the aesthetic experience of Nature. They shows the difference between the contents and the author's attitude. In addition to fengshui, which was used as a device for displaying scenic beauty of Mt. Geumgang. No special thought is found, but experience and inspiration of travel are main in <Geumgangbyeolgok>. On the other hand, the confucian view of nature and the scholarly attitude to the tales, ruins, remains are strongly expressed in <Donghaengsansoogi>. In terms of the narrative and expression techniques, both works have a strong point of description and are rich in analogy and imagination. However, <Geumgangbyeolgok> has a tendency to enhance emotions by directing inspiration and subculture to travel, And that <Donghaengsansoogi> has a lot of rational and critical perception on the Sansoo. The differences presented above can be attributed to the fact that the two works were created and enjoyed for different purposes and uses. <Geumgangbyeolgok> is a book for enjoying excursions and recalling the experience of the trip from the viewpoint of the artist himself and also provides the reading materials for indirect experience of excursion for those who cannot decipher Chinese texts. <Donghaengsansoogi> is not a simple tour record, but a result of the artist's philosophical awareness and the aesthetic experience of nature. And is came from the process of writing for self-reflection and spiritual growth.