조지훈 육필시고 『지훈시초(芝薰詩鈔)』 연구

Abstract

This study is an attempt to explore the character, status, and year of editing of Jihoon Sicho(芝薰詩鈔), a handwritten poetry manuscript of Cho Jihoon (趙芝薰, 1920~1968). When the manuscript of this collection of poetry was released to the world in 2001, 30 years after its discovery, it was mixed with other manuscripts and it was difficult to recognize its reality. In the poetry manuscript, 31 poems were evenly distributed in 3 parts, and each part could be grouped with distinct emotions. The sub-composition of the collection of poetry, which is broadly divided into sorrow, quietness, and prospect, evokes the history of Cho Jihoon’s entire poetry. He regarded quiet nature as the original hometown of poetry, but he did not choose to express social problems and inner emotions in poetry. On the other hand, it is estimated that the manuscript was bound in 1943 in a narrow way, and between 1943 and 1945 in a broad sense when the title change, traces of text revision, and the form of line and line were taken into account. This is earlier than the first poetry collection, Grass-sketch(풀잎斷章) published in 1952, as well as the joint poetry collection Collection of Chenglok poems(靑鹿集) published in 1946. Despite being completed in the form of a collection of poetry, it seems that it was not published officially because Cho Ji-hoon participated in the writing of Collection of Chenglok poems(靑鹿集) and had to include many of the 31 poems in this book of poetry. Although not published, Jihoon Sicho(芝薰詩鈔), which was planned as the first solo poetry collection, is an expanded version of Collection of Chenglok poems(靑鹿集) and a compressed version of Grass-sketch(풀잎斷章). There are many poems published here.