조선 후기 蘭亭會 계승과 「蘭亭記」 수용의 특징

Abstract

The study revealed the acceptance of WangXizhi’s NanJeonghoe(蘭亭會) and NanJeongki(蘭亭記) in the late Joseon Dynasty. Unlike previous research that only paid attention to a poetry club that succeeded NanJeonghoe, it attempted literary research by dealing with NanJeongki. In the early Joseon Dynasty, NanJeonghoe is mentioned to represent their poetry club as a fine writing club. Then gradually, the Poetry Club, which inherits the temporal and spatial characteristics of NanJeonghoe, was formed, and the literature created in the Poetry Club accepted NanJeongki's expressions and motifs. In the late Joseon Dynasty, the consciousness of succeeding NanJeong- Meeting was strengthened. The most notable thing in this regard is the formation of the “SoknanJeonghoe.” Originating around Cho Sang-Woo in 1673, this Poetry Club continues around the writer of the Pungyang-Jo Clan(豊壤趙氏), including Cho Gui-myeong in 1733. The literature created in this Poetry Club is seen building its own basis of existence, which is different from NanJeonghoe. After that, So-ron factor writers centered on Pungyang-Jo Clan succeeded the SoknanJeonghoe of the previous generation. On the other hand, as King Jeongjo’s ‘Nawen-nanJeonghoe(內苑蘭亭會)’ and Chun Soo-kyung’s ‘SokNanJeonghoe(續蘭亭會)’ show, the acceptance base of the Nanjeonghoe is expanding. The literature created in this Poetry Club expresses a little bit of NanJeongki’s motif, but shows a feature that reflects the writer’s special situation. As such, the acceptance of NanJeonghoe during the Joseon Dynasty shows the cultural characteristics of the Poetry Club related to seasonal customs. And it contains the process of self-internalizing, accepting the model of Chinese literature. This represents the speciality of Joseon literature.