최인훈 소설의 근대와 자기인식
The Modern and Self-recognition in Choi Inhun's Novel
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Choi Inhun is a writer who envelope the possibility of Korean novel through blowing a hole in the stereotypes of novel and break fresh ground of ideological novel. And he is a very important writer that recognizes the contradiction of Korean modern in the form of ideal, then reflects that in his novels, with Lee Chungjun and Park Taesoon. His way of idealization as such demonstrates the meaning of his novels as starting point of novel in the 1960th that overcome the limit of novels in 1950th. Because symbolization of experience and idealization of the real with concreteness are impossible without some distance for objectification of the real out of that immediacy. Specially the core to which we must pay attention in Choi Inhun's novel, is his literal method that symbolize his personal experience to symbol of existence condition of writer-intelligence in Korean modern situation and his critical thought about the modern in 1960th are hold together. There is the a basis that make possible Choi Inhun's novel to reflect on interior and exterior of intelligence who live in the Korean modern in 1960th at once.
Abstract
Choi Inhun is a writer who envelope the possibility of Korean novel through blowing a hole in the stereotypes of novel and break fresh ground of ideological novel. And he is a very important writer that recognizes the contradiction of Korean modern in the form of ideal, then reflects that in his novels, with Lee Chungjun and Park Taesoon. His way of idealization as such demonstrates the meaning of his novels as starting point of novel in the 1960th that overcome the limit of novels in 1950th. Because symbolization of experience and idealization of the real with concreteness are impossible without some distance for objectification of the real out of that immediacy. Specially the core to which we must pay attention in Choi Inhun's novel, is his literal method that symbolize his personal experience to symbol of existence condition of writer-intelligence in Korean modern situation and his critical thought about the modern in 1960th are hold together. There is the a basis that make possible Choi Inhun's novel to reflect on interior and exterior of intelligence who live in the Korean modern in 1960th at once.
참고문헌 (9)
- 김윤식, "한국문학사" (1973), 민음사
- 김현, "변동하는 시대의 예술가의 탐구", 신동아 (1981)
- 이보영, "최인훈론", 문화비평, (봄), pp.157~ (1973)
- 임현진, "사회과학에서의 근대성 논의 In: 한국의 ‘근대’와 ‘근대성’ 비판", pp.208~ (1996), 역사비평사
- 게오르크 루카치, "소설의 이론" (1985), 심설당
- 게오르크 루카치, "역사와 계급의식" (1986), 거름
- 발터 벤야민, "얘기꾼과 소설가 In: 발터 벤야민의 문예이론" (1983), 민음사
- 발터 벤야민, "보들레르의 몇 가지 모티브에 관해서 In: 발터 벤야민의 문예이론" (1983), 민음사
- Marthe Robert, "Origins of the Novel" (1980), The Harvester Press Limited
