대중문화의 향유와 국민적 정서의 투영 - 한국의 「춘향전」과 일본의 「주신구라」를 중심으로

Abstract

Popular culture of the country can be said that includes the sentiments of the people. For example, there is "Chunhyangjeon" of Korea and "Chusingura" of Japan and "Romance of the Three Kingdoms" of China. "Chunhyangjeon"is a remake most work in Korea and "Chusingura" is a remake of the greatest works in Japan. The point of the play on stage in Korea is that the actors and the audience a lot of women. Among the most common <giseng>. Because Korea has tended to ignore the play on stage in the past. Therefore, stage drama in Korea were many romantic love stories, tragedies, such as "Chunhyangjeon". In addition representation of <Chunhyang> emphasize to keep their love. This phenomenon can be seen in the movie. Korea's famous film director Im Kwon-taek made a lot of movies, based <grudge> of women. This is contrasted with the samurai films of famous film director in Japan Kurosawa Akira. "Chusingura" of Japan is Samurai pay off a sore of his lord. The background of the Japanese traditional stage was a powerful Tokugawa forces. Therefore, the actors and the audience of Japanese traditional stage was male-dominated. There must be a traditional Japanese sword fighting scene. Japanese movie has <Chanbara> that action film featuring sword fighting. Among them, "Chusingura" was a remake of the 80 feature films. This is rare in the world. A Comparative Study of the "Chunhyangjeon" and "Chusingura" who was clearly the relevance of the country's historical background and the audience with the formation of popular culture.