1920년대 초기시의 언어적 특성과 글쓰기 방법

Abstract

This writing understood the early 1920's poetry of a literature phenomenon and investigated that from the viewpoint which is a linguistic feature and the method of writing. Specially, observed what kind of language which they used and that language how expressed with art and method. In the first place, we confirmed the objective of the early 1920's poetic language is representation of meaning. The marking method which is various shows a powerful desire of the poet to agree subject's inner emotion with language. The second, the literary man borrowed a very familiar objective or abstraction word meaning help and oneself whom it discovers newly they put out and they expressed. The rhetoric occurred from here, most it wore a metaphor structure. The last, the early 1920's poetic language was the object of the imitation, simultaneously it was a result of the imitation. To past there is not a thing which does not imitate the language of poem and it is a newly form. It is own contact detonation. As a result of these, the early 1920's poetic language is the process of national language which is unification of the written and spoken language. This writing primarily has an interest is the early 1920's poetic language. The purpose of this writing is not to reveal the transparent characteristic of the language which is pure, but an aesthetic sense of the initial the literary man whom it acquires from language. There is a possibility of revealing the aesthetics of the literary style of the early 1920's poetry keeps.