근대 초기 시의 양식과 감각의 상관성 연구

Abstract

This study aims to make clear of modern poetry's style and the way of sense in 1920~1930th. It was constituted by the discourse of sense and the advent of new media including visual and auditory medial. In 1920th, to built the modern subject, it was offered the emotion, because the emotion was the index of the subjectivity. And, print media had an effect on the sense and style of poetry. Print media is used to be a media of visuality, but it activated traditional oral sense in those days. Kim, Uk and Joo, Yohan expressed emotion through placing emphasis on sound(music) in poetry. But style of Kim, Uk's was similar to lyric and that of Joo, Yohan's was similar to "enthusiastic voice of Byun-sa."In 1930th, emphasis on sound(music) was replaced with the sight by appearance of visual experience like cinema and modern metropolis, and the change of visual field and the way of seeing had led to style of modern poetry. As a result, the way of reading poetry was changed, from reading with mouth to reading with eyes. While Kim Kwang-gyun's poetry was constituted on the visuality through real sense experience, Lee, Sang's poetry was constituted on the visuality through abstract conceptualization. During the constitution period of early modern poetry , as the change of the sense from sound to visuality, emotional modern subject could be change the rational modern subject.