차별의 표방, 욕망의 충돌-<계녀가>류 가사를 중심으로-

Abstract

This study attempted to review that the trend of lyrics such as <Gaenyoka> is correlated to the satisfaction with the desire to dominate through family-centered ideologic protection or to keep vested rights. In the process, it was found that satisfaction with the desire began from control of emotion. 「Sakugo」 was a practical case that shows thorough control on women not to express any feelings they have. In addition, such controlled emotion was fixed, led to discrimination, and it was accepted naturally. That is, such fixed emotion control made discrimination natural. The control of emotion was expressed in a way of controling languages. In a lot of literary works, we can meet the demand ‘Not to see what you're see’ and ‘Not to listen to what you listening to’. It is a overall control of emotion requesting not to see, say, and think of. The discrimination disclosed in this control is disguised as duty to the family. Eleven items shown in <Gaenyoka> are all for daughter-in-law's duties and obligation. The completion of the duty is all the daughter-in-law's responsibility. As a result, it produces a vicious circle because the "duty" and "obligation" can not help forcing control, and the fixed control brings discrimination. Next this research reviewed that in social confusion in the end of Chosun Dynasty, the nobility selected using an ideology as a way to get out of the crisis. As we know from the background of <Gaenyoka>, the first step to mobilize an ideology was a family. <Gaenyoka> was moral lessons for daughters, but the subjects who read and practice them was already daughter-in-laws and the place for the practice was the in-law's. Thus, the in-law's for the daughters-in-law was where they had to practice forced ideology, and their feelings and emotion are completely controlled. It was discrimination for them to accept as a social factor during the practice and repression. But on the contrary, the discriminative factors at in-law's can be a factor to attract social recognition for women, which means that the ideology that time existed as distorted. We can see it through <Gaenyoka> at the point where the nobility's desire to dominate meets conflict with women's desire for recognition. Of course, it can be said that completely controlled emotion and human discrimination have the distortion in themselves. The beginning of distortion was from women's awareness and insight as the subject of discrimination and control. In this process, there exists a conflict between the nobility's desire for domination and women's desire for recognition. When women's desire for recognition was satisfied, they may feel out of discrimination for the time being, but soon they shall be in another way of repression. So, 「The Management of House Affairs」 is under inconsistency itself. Through 「The Management of House Affairs」, women could obtain some recognition from man, but their obligation for support of household was strongly fixed on them. ‘Distorted ideology’ means this contradiction. That is, it is man-centered distortion in that the positive value of ideology gets broken, and at the same time it is woman-centered distortion in that it weigh heavier responsibility on women. According to the above mentioned review, I could confirm the state of family power under patriarchism, its discriminative factor, and the process of its dissolution through lyrics such as <Gaenyoka>. In addition, I could read man's desire to dominate shown as ‘"Bongjesa and Jupbingaek" and woman's desire for recognition through ‘The Management of Household Affairs’ And their desire is finally to meet at a certain point as a conflict, The conflict was a motive to generate the distortion of Confucian ideology.