배와 김상숙의 稷下體와 시 일고

Abstract

Theories on the calligraphy Kim Sang suk had follow up calligraphy style on the squar style and having not copying form but focused meaning thorougly. specially, It had a continual research on adopt as normal that Jhong-yo's squar style. Kim Sang suk's calligraphist has to write from his heart regardless of the class in order to have the rightattitude in writing, one should have right kind of mind by studying constantly and thoroughly so that he can reveal his inner world into his calligraphy. This is his theory that says 'write calligraphy from the teart'Kim Sang suk's and their achievement of new calligraphy styles have brought out the glorious days for the calligraphy in the 18th century. They took Zhong yao(鍾繇) and Wang xi-zhi(王羲之) as the chief model for them to study on and accomplished the new calligraphy styles of their own by reviving the old styles with creativity and new spirit. Their independent art activities have led de-standardization de-regularization de-formalization out of the conventional viewpoints that used to emphasize the outward rules and formality in calligraphy and they suggested a new viewpoint of aesthetics focusing on the importance of the mind of calligraphist. As we know in Kim Sang suk's poetic world, he entered into the official life to realize his ideals, but he was very doubtful about government systems because of the corruption of the officers, and uncertain vision of rising in the world. Eventually, his yearn for nature arose in his mind of itself, and with returning to the nature and living there freely, he had many honorable aspects, which assimated with surroundings and observed all the things closely. His concern on things was expanded and assimilated the customs through traveling to many villiages. Such attitudes in his study was connected with the recognitions of a realistic school.