寺刹 題詠詩 考察

Abstract

In this study I will intend to study on theme of a Buddhist temple. The traditional Buddhist temple is not only space which cultivates knowledge for a general gentry but also representative one's honored teacher's place. Especially, since Silla, Goryeo had national religion of Buddhism so a Buddhist temple can be closed with the gentry's everyday routines, and although, in Choson dynasty superficially, the Buddhism had ostracized but still the gentries had the great important meaningful space of study and literature. Therefore, there were many title poems of the past disciples' feelings about the space of an unworldliness Buddhist temple. And also, as an excellent work of coming generation's collected poems, there are covering a lot of pioneering poems of Confucianism and Buddhism. As these the title poems types of Buddhists temple in the era, 3 poets in late Silla and early Goryeo such as Choi, Chiwon's Deungyunjahwasasa-ngbang(「登潤州慈和寺上房」) Park, Inbom's Gyeongjuyongsaksagakgyeomganunseosangin(「涇州龍朔寺閣兼柬雲栖上人」), and Park Inryang's Sasonggwajugwisansa(「使宋過泗州龜山寺」) and so on, these are the models of Buddhists temple title poems. In Goryeo period, as an influence of Buddhism which became the background spiritually or in coadjacent, there were existed a lot of title poems which composed at the space of a Buddhist temple of encompassing coadjacent background of Confucianism and Buddhism. In Goryeo period representative Buddhists temple title poets were priests such as Uicheon, Jinul, Hyesim, Cheonchaek, Chungji, Gyeonghan, Bou, Hyegeun(義天⋅知訥⋅惠諶⋅天頙⋅冲止⋅景閑⋅普愚⋅惠勤) and so on in the Buddhist and there were literary men as Confucian scholars such as Kim Busik, Jeong, Jisang, Lee, Gyubo, Kim, Jidae, Lee, Jehyeon, Lee, Sungin, Lee, Inno(金富軾⋅鄭知常⋅李奎報⋅金之岱⋅李齊賢⋅李崇仁⋅李仁老) and so on. In Choson period, in the practical ideology variation of adoration Confucianism and oppression Buddhism, the space of a Buddhist temple was still become a calligrapher and poet's site since Choson, the product of Buddhists temple title poems leave a lot of parts of our national Chinese poetry history. Therefore, in this study, in order to consider the Buddhists temple title poems which covered a part in our national Chinese poetry history, I will examine the Buddhists temple title poems, at first, through study direction and study sphere, and then I'll study the Buddhists temple title poems' representative contents which remains after this chronicle, and I'll examine the rhetorical quality in the contents which belong the Buddhists temple title poems especially painting beauty(繪畫美) and reality beauty(寫實美).