김성한의 전후소설에 나타난 현실인식 고찰

Abstract

As new literature's birth as so, Postwar Novels as well start from overcoming existing grammar of novel. A new writing materialized in Kim Sung-han's postwar novel is understandable in this interconnection, which includes the realistic recognitionpeculiar to the writer. Actually, starting with corruption of the human value, it has stood out with critic contents : ideological violence and deception, antipathy of existing order and negative values, and so on. The sense on the writer's criticism through mainly characters is represented as direct or indirect method, sometimes ideological dimensional method. However, direct criticism among those, truth isn't free from indication that postwar reality gets it remained on a simple accusation level. And it is a sense of humor and joke that indirect criticism discussion should never left out. Within the purview of appropriate writing, application of literary equipment is related to these features. The application of these methods within the purview of appropriate writing mainly are applied to concocted or overstated experience, now and then experience bringing up the image of a certain situation rather than experience just as it is. With these causes, it is a fresh impact and interest for reader accustomed to solemnity of the novel to feel that configuration. On the one hand it can be applied to an obstacle in digging into reality earnestly and objectively. On the other hand human value, practical life, and period spirit is regarded asprospective of postwar in his writing. Ultimately this prospect for realizing totality of life and true, of course, is based on premises to writer's positive recognition. Moreover writer's prospect related ideological value is composed of understanding of the human being's existent method. It makes aware of writer's prospect original and essential. In this point, it can be confirmed that Kim Sung-han spreads a new narrative discussion of postwar novel in a individual voice. So his writing begins in existence as the lesson for the literary successors longing for the creative world of a new form and content.