應製詩의 관점에서 살펴본 『帝王韻紀』와 李承休의 역사인식

Abstract

This paper explains the literary and genre features of 『Jewang-Ungi』. 『Jewang-Ungi』has been attracting attention since it was evaluated as a national epic along with Lee Kyu-bo's 『Dong-myeong-wang-pyun』. 『Jewang-Ungi』 is influenced by Lee Kyu-bo's 『Dongmyeong-wangpyun』, 『Kaewonchunbo yeongsasi』, and Oh Se-mun’s 『Yeokdaega』, but it represents the works of the "Yeokdaega" in Korea. However, as the research continues, 『Jewang-Ungi』has been criticized for the fact that the national consciousness was damaged and retired compared to 『Dongmyeong-wangpyun』. It was because of the fact that it praises Yuan Dynasty in the first volume, praises the Princess of Yuan Dynasty, a son-in-law of the King, and the birth of the King’s grandson in the last volume. This criticism is valid only from the perspective of 『Jewang-Ungi』as a national epic, however, Lee Seung-hyu helped the marriage policy led by King Wonjon of Goryeo Dynasty, the prince, to marry the Princess of Yuan Dynasty, and this marriage was a political issue that was a fateful thing to keep royal family of Goryeo. This being so it is unreasonable to regard that he praised this fact as a disturbance of national consciousness. As Lee Seung-hyu showed in 「Jin-jung-in-pyo(進呈引表)」that he wrote 『Jewang-Ungi』 to King Chungryol, 『Jewang-Ungi』 was a poem devoted directly to King Chungryol, not the poem Lee Kyu-bo had written and enjoyed himself like 『Dongmyeong-wangpyun』. It should be evaluated as Eungjesi, a poem written in king's orders, dealing with the royal family and the history of Goryeo. In the modern age where international mind is preferred rather than national consciousness, the interpretation of the 『Jewang-Ungi』 should also be interpreted from an international perspective rather than a national aspect.