샤갈과 「샤갈의 마을에 내리는 눈」의 상호텍스트성 – 김춘수의 시와 박상우의 소설 텍스트를 중심으로

Abstract

In this dissertation, intertextuality was debated in texts of Marc Chagall's, which largely inspired Korean writers artistically o ver space and t ime. A mong t hem, t he intertextuality of Kim Chun-su's 「Snow Falling on the Village of Chagall」 and Park Sang-u's was dealt with, and what's more, between those two works. Kim Chun-su's 「Snow Falling on the Village of Chagall」 borrowed painting images of <I and the Village>, <over Vitebsk> and <mother by the oven>. A comprehensive subject penetrating those three works is a desire for Hasidism and a yearning for home(a mother). On the other hand, Kim Chun-su's 「Snow Falling on the Village of Chagall」 is a nonsense verse, and expresses a wish waiting for spring through the exotic scenery of Chagall's town snowing. Kim Chun-su's 「Snow Falling on the Village of Chagall」 borrowed three painting images including Chagall's <I and the Village>, and it has elements of Cubism and intertextuality in that it expresses juxtaposition of foreign elements technically. Park Sang-u's short novel, 「Snow Falling on the Village of Chagall」 parodied the title of Kim Chun-su's as it is, and borrowed the snow scene. Kim Chun-su expressed speaker's desire for spring at a turning point from winter to spring, while Park Sang-u expressed a yearning for the age of 1980s and 1990s, and a vision and an expectation of the new age coincidentally. This subject is allusively expressed through Park Sang-u's parody that heterogeneous images are juxtaposed and a quotation of Chagall's dreamlike picture that the reality and the illusion are juxtaposed. Park Sang-u regards Chagall as a artist who expressed the world that has the reality and the illusion coincidentally, and dreams and fantasies beyond the reality. Park Sang-u is a representative writer of 1990s, who mainly used parody and quotation that are key techniques of postmodernism in the 1990s.