이장희 시의 반복과 변주 연구

Abstract

This writing wishes to analyze rhythm of repetition and variation of Lee Jang-hee'spoetry focusing on it's function and role and investigates his poem consciousnessand contents. This writing divide rhythm structure of Lee Jang-hee's poetry ‘repetition’and ‘variation’ greatly, and classify ‘repetition’ as ‘repetition of word’, ‘repetition ofsentence’, and classify ‘variation’ as ‘parallel antithesis’, ‘contrast antithesis’, ‘gradationantithesis’. The basicest rhythm structure of Lee Jang-hee's poetry is ‘repetition’. ‘Repetition’means that equal word, sentence, phrase ․ clause are repeated. ‘Repetition’ is usedto same concept with ‘recurrence’ here. ‘Repetition of word’, ‘repetition of sentence’appears frequently in Lee Jang-hee's poetry. In Lee Jang-hee's poetry we can find‘repetition of word’ on “On the Sand under the Moonlight”, “A bird”, “A Cat's Dream”. In Lee Jang-hee's poetry we can find ‘repetition of sentence’ on “One Night”. The most representative rhythm structure of ‘variation’ is ‘antithesis’ in Lee Jang-hee'spoetry. ‘Antithesis’ is used to similar concept with ‘parallelism’, method that repeatsequal surface structure by each unit but is inserted new component in the structure. ‘Parallel antithesis’, ‘contrast antithesis’, ‘gradation antithesis’ appears frequently in LeeJang-hee's poetry. In Lee Jang-hee's poetry we can find ‘parallel antithesis’ on “AnEmpty House”, “Spring Is Cat”. In Lee Jang-hee's poetry we can find ‘contrast antithesis’on “Breast of Blue Sky”, “A Stage”. In Lee Jang-hee’s poetry we can find ‘gradationantithesis’ on “A Lonely Season”, “Weeping on Spring Sky”.